論消費文化語境下仙俠題材電視劇的粗鄙化現(xiàn)象
發(fā)布時間：2018-10-14 19:27
【摘要】：隨著中國市場經(jīng)濟的飛速發(fā)展日益擴張， 電視劇市場也不斷推陳出新,深受觀眾喜愛的仙俠題材電視劇成為電視劇市場不可忽視的一股力量,但其中隱現(xiàn)的“粗鄙化”問題也成為當下不容忽視的文化現(xiàn)象。本文以仙俠題材電視劇為研究對象,探討其在消費文化語境的背景下所突顯的粗鄙化現(xiàn)象。本文將從仙俠題材電視劇及其“粗鄙化”發(fā)展現(xiàn)狀、粗鄙化現(xiàn)象在仙俠文本中的影像書寫、生成因素、所產(chǎn)生的影響以及如何規(guī)避這一不良現(xiàn)象的發(fā)展策略四個章節(jié)來對其進行全面探討。第一章厘清仙俠題材電視劇和“粗鄙化”的相關(guān)概念,分別從萌芽期、發(fā)展期、持續(xù)惡化期三個階段把握粗鄙化現(xiàn)象在仙俠題材電視劇中的發(fā)展流變,以此強調(diào)“粗鄙化”在電視劇發(fā)展中的嚴重性。第二章運用敘事學的相關(guān)理論,從仙俠題材電視劇本體出發(fā),從人物塑造、視聽語言、主題表達三方面重點分析粗鄙化現(xiàn)象在影像文本中的表征:俠義主題的背離與愛情主題的泛化、成長主題的模糊與勵志主題的淡化共同導致主題詮釋的淺薄空洞;膚淺無味的人物語言與荒謬怪誕的人物動作展現(xiàn)出人物形象的庸俗無知;過度消費的視覺文化與同質(zhì)化的音樂創(chuàng)作表現(xiàn)出視聽語言盲目迎合受眾的媚俗化傾向。第三章分別從時代語境、創(chuàng)作主體觀念的轉(zhuǎn)變和受眾的內(nèi)在訴求三方面出發(fā),對促成仙俠題材電視劇的粗鄙化現(xiàn)象的生成因素進行深入剖析:首先,受時代語境催生,相對寬松的審查尺度為粗鄙化現(xiàn)象的產(chǎn)生提供空間,交織互動的多元文化為其提供堅實土壤,推波助瀾的網(wǎng)絡(luò)媒介則對其進行溫柔灌溉;其次,仙俠題材電視劇創(chuàng)作主體創(chuàng)作心態(tài)和審美觀念的轉(zhuǎn)變,亦是其步入“粗鄙化”最直接的原因;再次,迎合受眾接受心理的動機是粗鄙化現(xiàn)象生成的不懈動力。第四章在前文基礎(chǔ)上探討了仙俠題材電視劇的粗鄙化現(xiàn)象對電視劇的創(chuàng)作、受眾審美傾向和整個電視劇行業(yè)所產(chǎn)生的深遠影響,并明確了遏制粗鄙化現(xiàn)象的象的目意義。最后,論文試圖在他人已有成果基礎(chǔ)上對如何規(guī)避電視劇的粗鄙化現(xiàn)象提出一定的解決辦法,提醒創(chuàng)作者在創(chuàng)作過程中要實現(xiàn)對“度”的合理把握,重視影視作品的精神建設(shè)和藝術(shù)表達,提高受眾的審美品位,強化國家新聞出版廣電總局與社會大眾對電視劇的把關(guān)作用,實現(xiàn)電視劇作品的雅俗共賞。
[Abstract]:With the rapid development of China's market economy, the TV drama market is also constantly introducing the old and new. The Xianxia TV series, which is loved by the audience, has become a force that cannot be ignored in the TV drama market. However, the problem of coarseness has also become a cultural phenomenon that can not be ignored. This paper takes Xianxia TV series as the research object and discusses its vulgarization phenomenon in the context of consumer culture. In this paper, the author will discuss the current situation of the development of Xianxia TV series and its "crude despicable", the image writing and the generating factors of the crude phenomenon in the text of Xianxia. The impact and how to avoid this bad phenomenon of the development strategy four chapters to explore it. The first chapter clarifies the related concepts of Xianxia TV series and "crude despicable", respectively, from the budding stage, the development period, and the continuous deterioration period to grasp the development and evolution of crude phenomenon in the Xianxia TV series. In order to emphasize the "coarse despicable" in the development of the seriousness of the TV series. The second chapter uses the related theory of narratology, from the Noumenon of Xianxia TV series, from the character shaping, audio-visual language, The three aspects of theme expression focus on the representation of vulgarization in the image text: the deviation of chivalrous theme and the generalization of love theme, the vagueness of growing theme and the desalination of inspirational theme lead to the shallow and hollow interpretation of theme; The superficial and tasteless character language and the absurd and grotesque character action show the vulgar ignorance of the character image, and the visual culture of excessive consumption and the homogenized music creation show the tendency of blindly catering to the audience's vulgarization in audiovisual language. The third chapter from the era context, the creation subject concept transformation and the audience's intrinsic demand three aspects, carries on the thorough analysis to the generation factor which promotes the immortals theme teleplay coarse despicable phenomenon: first, by the time context birth, carries on the thorough analysis. Relatively loose censorship measures provide space for the creation of vulgarization, intertwined multiculturalism to provide it with a solid soil, and gentle irrigation by the Internet media that fuel it; secondly, The change of the creative mentality and aesthetic concept of the subject of Xianxia TV series is also the most direct reason for it to step into "vulgarization". Thirdly, the motive to cater to the acceptance psychology of the audience is the unremitting power of the vulgarization phenomenon. Chapter four discusses the influence of vulgarization of Xianxia TV series on the creation of TV dramas, the aesthetic tendency of audiences and the whole TV series industry, and clarifies the significance of curbing the phenomenon of vulgarization. Finally, the paper tries to put forward some solutions on how to avoid the vulgar phenomenon of TV series on the basis of others' existing achievements, and reminds the creators to realize the reasonable assurance of "degree" in the process of creation. Pay attention to the spiritual construction and artistic expression of the film and television works, improve the aesthetic taste of the audience, strengthen the role of the State Administration of Press, publication, Radio, Film and Television and the public in controlling TV dramas, and realize the common appreciation of the works of TV dramas.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
本文編號：2271415
[Abstract]:With the rapid development of China's market economy, the TV drama market is also constantly introducing the old and new. The Xianxia TV series, which is loved by the audience, has become a force that cannot be ignored in the TV drama market. However, the problem of coarseness has also become a cultural phenomenon that can not be ignored. This paper takes Xianxia TV series as the research object and discusses its vulgarization phenomenon in the context of consumer culture. In this paper, the author will discuss the current situation of the development of Xianxia TV series and its "crude despicable", the image writing and the generating factors of the crude phenomenon in the text of Xianxia. The impact and how to avoid this bad phenomenon of the development strategy four chapters to explore it. The first chapter clarifies the related concepts of Xianxia TV series and "crude despicable", respectively, from the budding stage, the development period, and the continuous deterioration period to grasp the development and evolution of crude phenomenon in the Xianxia TV series. In order to emphasize the "coarse despicable" in the development of the seriousness of the TV series. The second chapter uses the related theory of narratology, from the Noumenon of Xianxia TV series, from the character shaping, audio-visual language, The three aspects of theme expression focus on the representation of vulgarization in the image text: the deviation of chivalrous theme and the generalization of love theme, the vagueness of growing theme and the desalination of inspirational theme lead to the shallow and hollow interpretation of theme; The superficial and tasteless character language and the absurd and grotesque character action show the vulgar ignorance of the character image, and the visual culture of excessive consumption and the homogenized music creation show the tendency of blindly catering to the audience's vulgarization in audiovisual language. The third chapter from the era context, the creation subject concept transformation and the audience's intrinsic demand three aspects, carries on the thorough analysis to the generation factor which promotes the immortals theme teleplay coarse despicable phenomenon: first, by the time context birth, carries on the thorough analysis. Relatively loose censorship measures provide space for the creation of vulgarization, intertwined multiculturalism to provide it with a solid soil, and gentle irrigation by the Internet media that fuel it; secondly, The change of the creative mentality and aesthetic concept of the subject of Xianxia TV series is also the most direct reason for it to step into "vulgarization". Thirdly, the motive to cater to the acceptance psychology of the audience is the unremitting power of the vulgarization phenomenon. Chapter four discusses the influence of vulgarization of Xianxia TV series on the creation of TV dramas, the aesthetic tendency of audiences and the whole TV series industry, and clarifies the significance of curbing the phenomenon of vulgarization. Finally, the paper tries to put forward some solutions on how to avoid the vulgar phenomenon of TV series on the basis of others' existing achievements, and reminds the creators to realize the reasonable assurance of "degree" in the process of creation. Pay attention to the spiritual construction and artistic expression of the film and television works, improve the aesthetic taste of the audience, strengthen the role of the State Administration of Press, publication, Radio, Film and Television and the public in controlling TV dramas, and realize the common appreciation of the works of TV dramas.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
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