【摘要】：公路片作為類型片中較晚出現(xiàn)的一種,其類型化創(chuàng)作策略也呈現(xiàn)出多元化的形態(tài),如何在類型化的創(chuàng)作模式下融入創(chuàng)作者個(gè)體的美學(xué)表達(dá),并能傳遞出引發(fā)共鳴的普世價(jià)值觀,是公路片創(chuàng)作者研究的課題。本文以《練習(xí)曲》《轉(zhuǎn)山》兩部華語小成本公路電影為例,雖然二者創(chuàng)作風(fēng)格迥異,但都凸顯了導(dǎo)演作為創(chuàng)作者的個(gè)體化創(chuàng)作傾向。筆者通過對這兩部個(gè)性鮮明的公路電影進(jìn)行類比,從影片的題材、創(chuàng)作策略以及影片中"騎行符號(hào)"和"景觀寓言"等方面進(jìn)行闡釋,探索當(dāng)下華語小成本公路電影創(chuàng)作特點(diǎn)及美學(xué)意義。
[Abstract]:As one of the late types of films, highway films also show diversified forms of typological creation strategies. How to integrate the aesthetic expression of the creators into the creative mode of type, and can convey the universal values that resonate with each other. Is the highway film creator research topic. This paper takes "Etudes" and "turn mountains" as an example. Although their writing styles are quite different, they both highlight the individualized creative tendency of directors as creators. Through the analogy of these two distinctive road movies, the author explains the theme, creation strategy, cycling symbol and landscape fable in the film. To explore the characteristics and aesthetic significance of current Chinese-language low-cost highway film creation.
【作者單位】： 華南農(nóng)業(yè)大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2270804