父子關(guān)系在劇情片《回家》中的具體體現(xiàn)
[Abstract]:The relationship between father and son is a constant topic in the artistic creation of many film and television works, and it is a good subject for further discussion and repeated artistic creation of different styles. The works of art related to father-son relations affect the audience's cognitive feelings, express the important blood relationship in the tradition of people of all nationalities, and pass on the concept of family. It plays an important leading role in the cognition and thinking of the audience's affection. This paper takes "Home" as an example, analyzes and probes into the theme and narrative, as well as the cultural differences, of the genre of the father-son relationship drama. Through the study of the particularity of the father and son relationship drama in these aspects, we can get a more comprehensive understanding, mastery and cognition of the father and son relationship drama in the aspect of artistic creation. Compared with other works of art, father-son relationship films and TV works have their own unique artistic creation methods and means of expression, especially for different countries, in terms of language, performance style and narrative structure. Different nationalities have different emotional cognition and expression. In the creation of the feature film "Home", many artistic means have been mobilized to arouse the emotional resonance of the audience, and efforts have been made to integrate this broad, profound, traditional meaning and background into the life reflected in the work. So that the audience can better, in-depth understanding of the works to reflect the meaning of this theme.
【學(xué)位授予單位】:遼寧大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前9條
1 陳犀禾;從“International”到“National”——論當(dāng)代中國(guó)電影中的父親形象和文化建構(gòu)[J];當(dāng)代電影;2005年05期
2 魏然 ,王綱;父親往事——銀幕上的父親形象[J];大眾電影;2004年12期
3 金鑫;;張揚(yáng)電影的父親主題研究——以《向日葵》為個(gè)案[J];電影評(píng)介;2006年22期
4 李道新;中國(guó)早期電影里的父親形象及其文化含義[J];電影藝術(shù);2002年06期
5 林黎勝;父親大人——四部中國(guó)電影中的父子(女)關(guān)系討論[J];電影藝術(shù);2005年02期
6 孫彥君;從父權(quán)中心的叛逃 ——關(guān)于中國(guó)青年導(dǎo)演的觀察[J];福建藝術(shù);2003年04期
7 張彬;中國(guó)傳統(tǒng)家庭倫理的現(xiàn)代轉(zhuǎn)換[J];南京政治學(xué)院學(xué)報(bào);2000年02期
8 郝延斌;;新生代電影中分裂的父親形象[J];南京師范大學(xué)文學(xué)院學(xué)報(bào);2006年03期
9 郭澤青;;當(dāng)代中國(guó)電影“父親權(quán)威”與“東方人倫”的顛覆與重建[J];漳州師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2006年03期
本文編號(hào):2268439
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2268439.html