【摘要】：改編劇一直是影視研究中一個(gè)很重要的領(lǐng)域,通過(guò)對(duì)原著和電視劇的對(duì)比研究可以看出兩種藝術(shù)形式的轉(zhuǎn)換以及在轉(zhuǎn)化的過(guò)程中有哪些值得借鑒和注意之處。改編自莫言小說(shuō)作品《紅高粱家族》的電視劇《紅高粱》從籌備到拍攝到播出,一直都受到廣泛的關(guān)注。不同于原著以男主人公余占鰲的故事為主線,電視劇以女主人公九兒為主線,展現(xiàn)了不同于原作荒涼之感的山東高密民間的生活氣息,講述了以九兒、余占鰲為主的年輕人經(jīng)過(guò)艱難生活、抗日戰(zhàn)爭(zhēng)洗禮下的成長(zhǎng)故事。電視劇《紅高粱》在對(duì)原著故事情節(jié)的有選擇的忠實(shí)之下,也進(jìn)行了有意識(shí)、有思想的“二次創(chuàng)作”,加入了新的人物、線索和情節(jié),最終成就了一個(gè)全新的故事。就改編效果而言,《紅高粱》豐富了原著的故事情節(jié),豐滿(mǎn)了小說(shuō)的人物形象,對(duì)小說(shuō)的內(nèi)涵進(jìn)行了新的解讀。同時(shí)由于對(duì)原作的大幅度改動(dòng)和影視藝術(shù)與文字藝術(shù)之間的轉(zhuǎn)化問(wèn)題,電視劇也客觀上消解和改變了原作的深刻性與思想性。改編劇尤其是改編自經(jīng)典文學(xué)作品的電視劇往往都難度很大�！都t高粱家族》的電視劇改編,有值得借鑒的地方也有不足之處,這都可以成為有意義的啟示。對(duì)《紅高粱家族》的電視劇改編進(jìn)行研究和總結(jié),試圖為電視劇尤其是改編自經(jīng)典文學(xué)的電視劇,提供新鮮的經(jīng)驗(yàn),在改編的過(guò)程中,要把握好對(duì)原著的忠實(shí)度問(wèn)題,把握好對(duì)受眾期待的滿(mǎn)足與引導(dǎo)問(wèn)題,加強(qiáng)自身的責(zé)任意識(shí)等,讓一部經(jīng)典文學(xué)作品也可以轉(zhuǎn)化為符合電視劇創(chuàng)作規(guī)律的影視作品。
[Abstract]:Revised screenwriter has been a very important field in the film and television research. Through the comparative study of the original and TV series, we can see the conversion of the two artistic forms and what is worthy of reference and attention in the process of transformation. The TV series Red Sorghum, adapted from Mo Yan's novel Red Sorghum Family, has received wide attention from preparation to broadcast. Different from the story of Yu Zhanao, the protagonist in the original work, the TV series takes the heroine Jiuer as the main line, showing the folk life of Gaomi in Shandong Province, which is different from the desolation of the original work, and telling the story of Jiuer. Yu Zhanao the main young people after a difficult life, the baptism of the War of Resistance against Japan under the growth story. Under the selective loyalty to the original story, the TV drama "Red Sorghum" also carries on the conscious, the thought "the second creation", has added the new character, the clue and the plot, finally has achieved a brand-new story. As far as the adaptation effect is concerned, Red Sorghum enriches the story plot of the original novel, enriches the characters of the novel, and makes a new interpretation of the connotation of the novel. At the same time, because of the great changes to the original works and the transformation between the film art and the writing art, the teleplay objectively dispels and changes the profundity and ideological content of the original work. It is very difficult to change the screenwriter, especially the TV series adapted from classical literary works. The adaptation of "Red Sorghum Family" TV series has some merits and shortcomings, which can be meaningful inspiration. This paper studies and summarizes the adaptation of the TV series "Red Sorghum Family", and tries to provide fresh experience for TV dramas, especially those adapted from classical literature. In the process of adaptation, we should grasp the problem of fidelity to the original works. Grasp the satisfaction and guidance of audience expectations, strengthen their own sense of responsibility, so that a classic literary works can also be converted into television works in accordance with the rules of TV drama creation.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J904

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