【摘要】：正美術(shù)設(shè)計(jì)的擬真平面直覺,與光影藝術(shù)的擬真現(xiàn)實(shí)幻覺,分別為影視藝術(shù)作品建構(gòu)起了關(guān)鍵的靜態(tài)與絕大多數(shù)動(dòng)態(tài)的視覺要素。然而,我們知道,任何影視藝術(shù)作品都具有完全的動(dòng)態(tài)性,都是一種擬真現(xiàn)實(shí)的活態(tài)藝術(shù)。因此,在光影藝術(shù)與美術(shù)設(shè)計(jì)這一動(dòng)一靜之間,顯然存在著某種藝術(shù)規(guī)約,這種藝術(shù)規(guī)約就是形諸于藝術(shù)設(shè)計(jì)學(xué)的影視藝術(shù)視域時(shí)空,在藝術(shù)設(shè)計(jì)學(xué)的影視藝術(shù)視域時(shí)空之中,光影藝術(shù)與美術(shù)設(shè)計(jì)二者之間又是如何協(xié)同工作,并且形成更
[Abstract]:The quasi-true plane intuition of the positive art design and the realistic illusion of the light and shadow art respectively construct the key static and most dynamic visual elements for the film and television works of art. However, we know that any work of film and television art is completely dynamic and is a kind of real living art. Therefore, between the movement of light and shadow art and art design, it is obvious that there is a certain art statute, which is the time and space of film and television art in the field of art and design, and in the field of film and television art of art design. How to work together between light and shadow art and art design, and form a more
【作者單位】： 武漢工程大學(xué)藝術(shù)設(shè)計(jì)學(xué)院;武漢科技大學(xué)城市學(xué)院;
【分類號(hào)】：J91
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本文編號(hào)：2264204