發(fā)布時間：2018-10-11 08:22

【摘要】：當(dāng)前,傳統(tǒng)文化、地域文化、民族文化等文化自覺正變成一種積極推動和形成西藏紀(jì)錄片風(fēng)格的慣習(xí),在單元故事里書寫一種地域變遷和共識,這種文化傳承將當(dāng)下"復(fù)興民族文化"的歷史情結(jié)和精神處境建構(gòu)成一種神話式視野和話語。2015年,紀(jì)錄片《第三極》《天河》呈現(xiàn)出跨文化傳播中鮮明的紀(jì)錄精神轉(zhuǎn)變:從文化儀式及田野調(diào)查的深度化探秘解讀到趨向趣味化、單元故事化敘事;從西方和漢地想象的神秘之地到民族文化認(rèn)同之地;從邊緣人的視角轉(zhuǎn)為西藏農(nóng)村農(nóng)牧民和城市市民現(xiàn)實(shí)生活的話語觀看;從凸顯生態(tài)文明理念轉(zhuǎn)向"文化自覺"意義上的非物質(zhì)文化遺產(chǎn)保護(hù)。
[Abstract]:At present, the cultural consciousness of traditional culture, regional culture, and national culture is becoming a habit that actively promotes and forms the style of Tibetan documentary films, writing a regional change and consensus in unit stories. This cultural heritage constructs the historical complex and spiritual situation of the present "rejuvenation of national culture" into a mythical vision and discourse. The documentary, "the third pole", "Tianhe" shows a distinct change in the spirit of record in the cross-cultural communication: from the cultural ceremony and field investigation to the in-depth interpretation to the trend of interesting, unit story narration; From the mysterious land of western and Chinese imagination to the land of national cultural identity, from the perspective of marginal people to the discourse of the real life of rural farmers and herdsmen and urban citizens in Tibet; From highlighting the idea of ecological civilization to the protection of intangible cultural heritage in the sense of "cultural consciousness".
【作者單位】： 蘇州工業(yè)園區(qū)服務(wù)外包職業(yè)學(xué)院人文藝術(shù)學(xué)院;
【基金】：2014年江蘇省“‘青藍(lán)工程’資助”項(xiàng)目“2014年度高�！嗨{(lán)工程’優(yōu)秀青年骨干教師培養(yǎng)對象”(項(xiàng)目編號:KY12-QL-201402)階段性研究成果
【分類號】：J952

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