發(fā)布時(shí)間：2018-10-09 19:32

【摘要】：從"生存論-存在論"角度來(lái)審視《百鳥(niǎo)朝鳳》這部影片,將會(huì)對(duì)其思想內(nèi)蘊(yùn)別有一番理解和詮釋。該片以嗩吶技藝的傳承為線索,通過(guò)敘述兩代嗩吶藝人在社會(huì)轉(zhuǎn)型、風(fēng)尚驟變的歷史境況下的酸澀人生,啟迪我們關(guān)注并沉思一系列問(wèn)題:如何應(yīng)對(duì)傳統(tǒng)藝術(shù)在當(dāng)下傳承所面臨的困境?在傳統(tǒng)社會(huì)中向來(lái)發(fā)揮著道德評(píng)判及教化功能的藝術(shù)如何在當(dāng)下繼續(xù)承擔(dān)其使命?傳統(tǒng)藝人應(yīng)當(dāng)如何面對(duì)自己生存境遇和生存方式在當(dāng)下所遇到的挑戰(zhàn)?當(dāng)代人應(yīng)當(dāng)如何安頓自己的靈魂、成就自己的存在意義?
[Abstract]:From the perspective of existentialism-existentialism, the film "Birds and Phoenix" will have a different understanding and interpretation of its ideological connotation. The film takes the inheritance of suona skills as a clue, by describing the sour life of two generations of suona artists under the historical circumstances of social transformation and sudden changes in fashion. Enlighten us to pay attention to and meditate on a series of questions: how to deal with the plight of traditional art in the present inheritance? How does art, which has always played the role of moral judgment and enlightenment in traditional society, continue to undertake its mission in the present? How should traditional artists face the challenges of their own living conditions and ways of living in the present? How should the contemporary people settle their souls and make their own existence meaningful?
【作者單位】： 河池學(xué)院;四川師范大學(xué);
【分類(lèi)號(hào)】：J617.6

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