【摘要】：隨著信息時(shí)代的來(lái)臨,科學(xué)與傳播技術(shù)的飛速發(fā)展,人類(lèi)文明進(jìn)入了一個(gè)擬像與混亂的新紀(jì)元。自從電影《黑客帝國(guó)》的上映,對(duì)真實(shí)的質(zhì)疑,對(duì)世界及人類(lèi)自身的另一種理解成為了好萊塢電影中一個(gè)常見(jiàn)的主題。然而,在《黑客帝國(guó)》之前,一部低成本的科幻電影《異次元駭客》(1998)已就這一主題進(jìn)行了深度的剖析。《異次元駭客》首次提出世界可能僅僅只是一個(gè)龐大的虛擬機(jī)器,人類(lèi)目及之處均是幻像與虛假。在這之后,電影《楚門(mén)的世界》(1999)進(jìn)一步探討了世界的真實(shí)性,并從電視與現(xiàn)實(shí)之間的聯(lián)系入手,為這一主題提供了一個(gè)布滿(mǎn)監(jiān)視與控制的社會(huì)模型。本文通過(guò)運(yùn)用鮑德里亞的“超真實(shí)”理論與福柯的權(quán)力與規(guī)訓(xùn)思想,從對(duì)“真實(shí)”的理解及其在權(quán)力社會(huì)中的效用這一角度,對(duì)《異次元駭客》和《楚門(mén)的世界》兩部電影進(jìn)行分析;并指出“真實(shí)”這一概念在以高科技為主導(dǎo)的社會(huì)中已不復(fù)存在,取而代之的是比真實(shí)還要真實(shí)的“超真實(shí)”世界,而且這已成為權(quán)力控制的理想形式。同時(shí),本文進(jìn)一步分析了“真實(shí)”的缺失給人類(lèi)帶來(lái)的困惑和憂(yōu)慮。本文共分四章,第一章緒論包括對(duì)《異次元駭客》和《楚門(mén)的世界》的介紹與文獻(xiàn)綜述,以及研究問(wèn)題與研究的意義,并對(duì)“超真實(shí)”理論與�？碌臋�(quán)力觀進(jìn)行了理論綜述。第二章集中在對(duì)電影中“超真實(shí)”理念的詳細(xì)解讀,真實(shí)已經(jīng)消失,世界僅僅作為一個(gè)巨大的幻像,呈現(xiàn)給人類(lèi)毫無(wú)根基的假象。第三章指出了“超真實(shí)”對(duì)人類(lèi)的世界觀與自我認(rèn)知上造成的問(wèn)題與困擾,主要分為“身份認(rèn)同的失落”與“存在的不確定性”兩部分。第四章詳細(xì)分析“超真實(shí)社會(huì)”中的權(quán)力關(guān)系,主要包括福柯的“全景敞視主義”理論在電影中的體現(xiàn),并進(jìn)一步指出大眾傳媒與網(wǎng)絡(luò)已成為“超真實(shí)”世界最高效的新型控制手段。本文認(rèn)為兩部電影具有豐富的哲學(xué),社會(huì)以及文化意蘊(yùn),并對(duì)于真實(shí)的理解,人類(lèi)世界以及人類(lèi)自身這幾個(gè)方面的思考都具有發(fā)人深省的作用。通過(guò)分析《異次元駭客》與《楚門(mén)的世界》中的“超真實(shí)”與權(quán)力關(guān)系,本文在結(jié)論部分指出伴隨意義,價(jià)值以及真實(shí)的消失,人類(lèi)已經(jīng)進(jìn)入了一種新形式的世界末日,一種掩蓋在便利性與效用之下的混亂與無(wú)秩序的狀態(tài)�！懂惔卧斂汀放c《楚門(mén)的世界》為觀眾呈現(xiàn)了一出“超真實(shí)”的舞臺(tái),使人們對(duì)真實(shí)與虛幻的本質(zhì)產(chǎn)生更深刻的理解,啟迪人們這個(gè)充滿(mǎn)著無(wú)數(shù)誘惑的社會(huì)中,更加批判性地看待世界和自己。
[Abstract]:With the advent of the information age and the rapid development of science and communication technology, human civilization has entered a new era of imagination and chaos. Since the release of the film the Matrix, the question of reality, another understanding of the world and of humanity itself has become a common theme in Hollywood films. Before the Matrix, however, a low-cost science-fiction film, the Heterogeneity hackers (1998), had made a deep analysis of the subject. It was first suggested that the world might be just a huge virtual machine. All human eyes are illusions and falsehoods. After this, the film "Truman's World" (1999) further explores the reality of the world, and begins with the connection between television and reality, providing a social model full of surveillance and control for this theme. By applying Baudrillard's theory of "super-reality" and Foucault's thought of power and discipline, this paper tries to understand "reality" and its utility in the power society. An analysis of the two films, "heterogeneous hackers" and "Truman's World", points out that the concept of "reality" no longer exists in a hi-tech society and is replaced by a "super-real" world that is even more real than reality. And this has become the ideal form of power control. At the same time, this paper further analyzes the confusion and anxiety brought about by the absence of "reality". This paper is divided into four chapters. The first chapter is an introduction to the introduction and literature review of Heterogeneity hackers and the World of Truman, as well as the research problems and the significance of the research, and a theoretical review of the theory of "super reality" and Foucault's view of power. The second chapter focuses on the detailed interpretation of the concept of "super-reality" in the film. The reality has disappeared, and the world as a huge illusion presents the false impression that human beings have no foundation. The third chapter points out the problems and puzzles caused by "super-reality" on human world outlook and self-cognition, which are divided into two parts: "loss of identity" and "uncertainty of existence". The fourth chapter analyzes the power relationship in the super real society in detail, including Foucault's theory of panoramic open view in the film. It also points out that mass media and network have become the most efficient new control method in the super-real world. This paper holds that the two films have rich philosophical, social and cultural implications, and have a thought-provoking effect on the real understanding, the human world and human beings themselves. By analyzing the relationship between "super-reality" and "power" in "heterogeneous hackers" and "Truman's World", this paper points out in the conclusion that, with the disappearance of meaning, value and reality, mankind has entered a new form of apocalypse. A state of chaos and disorder hidden under convenience and utility. The Heterogeneity of hackers and the World of Truman present the audience with a "super-real" stage, giving people a deeper understanding of the nature of reality and illusion. Enlighten people in this society full of countless temptations, more critical view of the world and themselves.
【學(xué)位授予單位】：廣東外語(yǔ)外貿(mào)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J905

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