【摘要】：鄭洞天是電影理論家和電影導(dǎo)演,是中國第四代電影導(dǎo)演的代表人物之一。他擔(dān)任北京電影學(xué)院的教授,同時還執(zhí)導(dǎo)了多部影片,并在諸多電影節(jié)上獲獎�？v觀其近30年的電影研究和創(chuàng)作歷程,不難發(fā)現(xiàn)人文關(guān)懷是貫穿他電影的突出特征。本文系統(tǒng)地研究他身為電影理論家為中國電影事業(yè)所做出的理論貢獻(xiàn),包括對于電影本體、電影經(jīng)濟學(xué)、電影觀眾學(xué)等理論研究。同時,立足于他影片中的人文關(guān)懷意識,系統(tǒng)地研究影片中所體現(xiàn)出來的豐富的表現(xiàn)內(nèi)容和獨具特色的影音風(fēng)格,最后探究其影片表現(xiàn)主題和風(fēng)格形成的哲學(xué)和美學(xué)淵源。通過系統(tǒng)的分析和梳理,我們能夠看到鄭洞天身為第四代電影導(dǎo)演,在中國電影的成長道路上所做出的不可磨滅的貢獻(xiàn)。
[Abstract]:Zheng Dongtian, a film theorist and director, is one of the representatives of the fourth generation of Chinese film directors. He is a professor at the Beijing Film Academy and has directed several films and won awards at film festivals. Throughout his 30 years of film research and creation, it is not difficult to find that humanistic care is a prominent feature throughout his films. This paper systematically studies his theoretical contributions to the Chinese film industry as a film theorist, including the theoretical research on film ontology, film economics, film audience science and so on. At the same time, based on the humanistic care consciousness in his films, this paper systematically studies the rich performance content and unique audio-visual style embodied in the film, and finally probes into the philosophical and aesthetic origin of the theme and style of his films. Through systematic analysis and combing, we can see Zheng Dongtian's indelible contribution to the growth of Chinese film as the fourth generation film director.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J911

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本文編號：2255549