【摘要】：本文提出在被迫現(xiàn)代性的條件下,功夫片在廣義的社會(huì)場(chǎng)域中擔(dān)負(fù)和繼承了戲曲,即中國(guó)古典戲劇無法繼續(xù)承載的一些關(guān)鍵社會(huì)功能和美學(xué)機(jī)能。而在這個(gè)意義上,因?yàn)槠湮幕a(chǎn)意義上的不嚴(yán)肅性,以香港為主的功夫片生產(chǎn)反而為健康的、具有本真性的文化建構(gòu)模式提供了良好的范例。
[Abstract]:In this paper, under the condition of forced modernity, the kung fu film takes on and inherits the opera in the broad social field, that is, the Chinese classical drama can not continue to carry some key social and aesthetic functions. In this sense, because of the seriousness of its cultural production, the production of kung fu films mainly in Hong Kong provides a good example for the healthy and authentic cultural construction model.
【作者單位】： 中國(guó)美術(shù)院;
【分類號(hào)】：J901
，

本文編號(hào)：2247632