中國影視文化方式與“五位一體”生產(chǎn)方式的關(guān)系研究
發(fā)布時間：2018-09-11 20:42
【摘要】：影視文化是電影藝術(shù)文化與電視藝術(shù)文化的總和。電影藝術(shù)文化以1895年盧米埃爾兄弟拍攝的影片《工人離開盧米埃爾工廠大門》為標志；電視藝術(shù)文化以1925年蘇格蘭人約翰·洛吉·貝爾德被稱做“電視之父”為標志。影視文化融入當今高科技與先進文化，它對我們現(xiàn)代社會的生產(chǎn)、生活都產(chǎn)生了十分重大的意義及影響。如今進到每家每戶，穿梭在大街小巷，電視機、大熒幕隨處可見，甚至在影視文化方式基礎(chǔ)之上發(fā)展起來的新的影視文化形式——網(wǎng)絡(luò)文化方式都充斥在我們視野深入觸目可及的每一個角落。影視文化方式對我們的社會生產(chǎn)、生活方式的影響力是非常廣泛的，這也必然地需要我們對影視文化生產(chǎn)方式與經(jīng)濟生產(chǎn)方式、政治生產(chǎn)方式、文化生產(chǎn)方式、社會生產(chǎn)方式以及生態(tài)文明方式之間的內(nèi)部關(guān)系進行深入細致的研究，并從社會哲學(xué)學(xué)理的高度對它們之間的關(guān)系做一個客觀的評價，并作出合理的分析和判斷。 本論文主要分三大部分，包含九個篇章。其中第一部分是緒論，主要解釋了關(guān)于論文選題依據(jù)、選題意義、研究方法以及創(chuàng)新點等一些基本問題。第二部分是論文的主要內(nèi)容，，分別從中國影視文化方式與經(jīng)濟生產(chǎn)方式、政治生產(chǎn)方式、文化生產(chǎn)方式、社會生產(chǎn)方式以及生態(tài)文明方式幾個方面來探索中國影視文化方式與“五位一體”生產(chǎn)方式之間的矛盾關(guān)系。通過對這幾組生產(chǎn)方式的關(guān)系研究，理解并把握當代中國影視文化方式對創(chuàng)建社會主義和諧文化與構(gòu)建和諧國家的重大意義和重要影響，為促進人的全面發(fā)展、全面建成小康社會和構(gòu)建中國特色社會主義和諧社會提供重要的學(xué)理依據(jù)，也為實現(xiàn)中國廣大億萬人民的“中國夢”提供一定的理性思考和文化娛樂途徑。論文的最后一部分主要對整篇論文的研究主旨做一個總結(jié)。
[Abstract]:Film culture is the sum of film art culture and television art culture. Film art culture is marked by the 1895 Lumiere Brothers'film "Workers Leave the Gate of the Lumiere Factory". Television art culture is marked by the 1925 Scottish John Lodge Baird who was called the "Father of Television". Today's high-tech and advanced culture, it has a very important significance and impact on the production and life of our modern society. Now every family, shuttle in the streets, television, big screen can be seen everywhere, and even in the film and television culture based on the development of a new form of film and Television Culture - the way of network culture are full. Film and television culture has a very wide influence on our social production and life style, which inevitably requires us to have a thorough understanding of film and television culture production and economic production, political production, cultural production, social production and ecological civilization. The internal relationship between them is studied in depth and meticulously, and an objective evaluation of the relationship between them is made from the height of social philosophy, and a reasonable analysis and judgment are made.
This paper is divided into three parts, including nine chapters. The first part is the introduction, which mainly explains some basic problems about the basis of topic selection, significance of topic selection, research methods and innovation. The second part is the main content of the paper, respectively, from the Chinese film and television culture and economic production mode, political production mode, culture. This paper explores the contradictory relationship between the mode of production, the mode of social production and the mode of ecological civilization in China's film and television culture and the mode of "five in one" production. The great significance and important influence of family provide important theoretical basis for promoting the all-round development of human beings, building a well-off society in an all-round way and building a harmonious socialist society with Chinese characteristics, and also provide certain rational thinking and cultural and entertainment ways for realizing the "Chinese dream" of the broad masses of Chinese people. The research purpose of the thesis is a summary.
【學(xué)位授予單位】：中國石油大學(xué)（華東）
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
本文編號：2237788
[Abstract]:Film culture is the sum of film art culture and television art culture. Film art culture is marked by the 1895 Lumiere Brothers'film "Workers Leave the Gate of the Lumiere Factory". Television art culture is marked by the 1925 Scottish John Lodge Baird who was called the "Father of Television". Today's high-tech and advanced culture, it has a very important significance and impact on the production and life of our modern society. Now every family, shuttle in the streets, television, big screen can be seen everywhere, and even in the film and television culture based on the development of a new form of film and Television Culture - the way of network culture are full. Film and television culture has a very wide influence on our social production and life style, which inevitably requires us to have a thorough understanding of film and television culture production and economic production, political production, cultural production, social production and ecological civilization. The internal relationship between them is studied in depth and meticulously, and an objective evaluation of the relationship between them is made from the height of social philosophy, and a reasonable analysis and judgment are made.
This paper is divided into three parts, including nine chapters. The first part is the introduction, which mainly explains some basic problems about the basis of topic selection, significance of topic selection, research methods and innovation. The second part is the main content of the paper, respectively, from the Chinese film and television culture and economic production mode, political production mode, culture. This paper explores the contradictory relationship between the mode of production, the mode of social production and the mode of ecological civilization in China's film and television culture and the mode of "five in one" production. The great significance and important influence of family provide important theoretical basis for promoting the all-round development of human beings, building a well-off society in an all-round way and building a harmonious socialist society with Chinese characteristics, and also provide certain rational thinking and cultural and entertainment ways for realizing the "Chinese dream" of the broad masses of Chinese people. The research purpose of the thesis is a summary.
【學(xué)位授予單位】：中國石油大學(xué)（華東）
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
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