二十一世紀(jì)好萊塢科幻電影敘事研究
發(fā)布時(shí)間：2018-09-11 14:23
【摘要】：本文第一部分,對(duì)科幻電影的概念、歷史流變即當(dāng)下發(fā)展概括做出梳理,簡(jiǎn)要概括了21世紀(jì)好萊塢科幻電影的題材分類和主要類型,并追溯了二十一世紀(jì)科幻電影的研究現(xiàn)狀,明確了本文研究目的和研究?jī)r(jià)值,闡明本文主要運(yùn)用敘事研究和類型研究的研究方法,并廣泛結(jié)合多種研究方法對(duì)二十一世紀(jì)的科幻電影進(jìn)行文本讀解和文化分析。 本文第二部分,圍繞著人與周圍的五大關(guān)系,具體分析了二十一世紀(jì)好萊塢科幻電影敘事主題與審美特征,其中,在人與社會(huì)的關(guān)系上,21世紀(jì)好萊塢的科幻片受到后工業(yè)社會(huì)文明的助推,在思想領(lǐng)域受到后現(xiàn)代主義的影響,體現(xiàn)為一種后現(xiàn)代工業(yè)文明的童話和焦慮；在人與自我的關(guān)系上,它既蘊(yùn)含著人類對(duì)自我的投射,又有對(duì)“后人類主義”對(duì)人類中心主義的反思；在人與自然的關(guān)系上,它呈現(xiàn)出生態(tài)批評(píng)對(duì)自然的關(guān)注,用生態(tài)破壞帶來的末日意象向人類發(fā)出環(huán)境的警示；在人與科技的關(guān)系上,它為科技發(fā)展歡呼的同時(shí),也反思科技可能帶來的負(fù)面影響,電影在表現(xiàn)先進(jìn)的電腦虛擬人的同時(shí),亦表達(dá)了對(duì)虛擬人的焦慮與擔(dān)憂；在人與“他者”的關(guān)系上,它用奇異的想象和絢麗的視覺呈現(xiàn)出包括外星人、變異人等在內(nèi)的不同于人類的異類,也展望了人類的未來世界,即包括了烏托邦和反烏托邦/惡托邦/敵托邦在內(nèi)的社會(huì)發(fā)展形態(tài)。 本文第三部分,引用了經(jīng)典敘事、現(xiàn)代敘事、后現(xiàn)代敘事的概念,重點(diǎn)分析了21世紀(jì)好萊塢科幻片敘事模式的不同形態(tài)及其嬗變。具體來說,21世紀(jì)好萊塢的科幻片,大部分沿用類型電影的經(jīng)典敘事慣例,有特定的背景設(shè)置、故事結(jié)構(gòu)和情節(jié)線索,也遵循著一定的人物譜系及類型元素。而作為類型“熱潮更替”的產(chǎn)物,在經(jīng)典的科幻電影敘事模式之外,21世紀(jì)好萊塢的科幻片的敘事模式又有了新的變化與演進(jìn)。其中,有一部分采取現(xiàn)代敘事的科幻電影,其現(xiàn)代性主要體現(xiàn)在現(xiàn)代語境下時(shí)空交叉的復(fù)調(diào)敘事,以及平行宇宙中的多時(shí)空線索交織并進(jìn)等。 本文第四部分,集中圍繞虛擬現(xiàn)實(shí)與數(shù)字美學(xué)兩方面對(duì)好萊塢科幻電影的審美特征進(jìn)行了闡述。具體而言,隨著科技進(jìn)步和社會(huì)變革、文化變異,電影藝術(shù)不斷發(fā)展,電影制作者們不斷嘗試用個(gè)性化的方式,顛覆和打破傳統(tǒng)好萊塢電影所建立的各種模式,不斷開拓新的美學(xué)和敘事空間。作為后工業(yè)文化時(shí)代的產(chǎn)物,二十一世紀(jì)的好萊塢科幻電影有不少作品體現(xiàn)出了科技助推下的后現(xiàn)代敘事嘗試,它們以擬象空間中的虛實(shí)相生來探求真實(shí)與虛幻的關(guān)系,同時(shí)更具有了“影像(效果)敘事”與后現(xiàn)代游戲化、碎片化敘事的新特征。同時(shí),科學(xué)技術(shù)讓電影從內(nèi)容敘事更多轉(zhuǎn)向了視覺、場(chǎng)景敘事,營造了一個(gè)個(gè)視聽奇觀,也賦予了數(shù)字美學(xué)特有的互動(dòng)性、開放性、多向度性和自由性等,使創(chuàng)作者有了更多自由處理空間和情感表達(dá)空間,使電影書寫獲得了一種真正的自由,也給觀影者一種獨(dú)特的審美感受。
[Abstract]:In the first part of this paper, the concept of science fiction movies, historical changes that the current development of a general comb, a brief summary of the 21st century Hollywood science fiction movies and the main types of themes, and traces back to the 21st century science fiction movies research status quo, clear the purpose of this study and research value, clarify the main use of narrative research in this paper. And the type of research methods, and a wide range of research methods combined with the 21st century science fiction film text interpretation and cultural analysis.
In the second part of this paper, focusing on the five relationships between people and their surroundings, the narrative themes and aesthetic characteristics of Hollywood science fiction films in the 21st century are analyzed concretely. Among them, in the relationship between people and society, Hollywood science fiction films in the 21st century are promoted by the civilization of post-industrial society and influenced by post-modernism in the ideological field. The fairy tales and anxieties of the post-modern industrial civilization; in the relationship between man and himself, it contains not only man's self-projection, but also the reflection of "post-anthropocentrism" on anthropocentrism; in the relationship between man and nature, it presents the concern of ecological criticism on nature, and sends a ring to mankind with the image of doomsday brought by ecological destruction. On the relationship between man and technology, it cheers for the development of science and technology, but also reflects on the possible negative impact of technology. The film also expresses anxiety and worry about the virtual human while expressing the advanced computer virtual human. On the relationship between man and the "other", it presents a package with fantastic imagination and gorgeous vision. Aliens, mutants, etc. are different from human beings. They also look forward to the future world of human beings, including utopian and anti-utopian / dystopian / dystopian social development patterns.
In the third part, the author quotes the concepts of classical narrative, modern narrative and post-modern narrative, and analyzes the different forms and evolution of Hollywood's science fiction narrative mode in the 21st century. As a product of the "upsurge replacement", the narrative mode of Hollywood's science fiction films in the 21st century has undergone new changes and evolution besides the classical narrative mode of science fiction movies. The polyphonic narratives of space-time crossing in modern context and the multi temporal and spatial clues in parallel universe.
The fourth part of this paper focuses on the two aspects of virtual reality and Digital Aesthetics to elaborate the aesthetic characteristics of Hollywood science fiction movies. As a product of the post-industrial culture era, many Hollywood science fiction movies in the 21st century embody the post-modern narrative attempt promoted by science and technology. They seek the relationship between reality and illusion by the combination of the illusion and reality in the imagery space. At the same time, science and technology make the film turn from content narrative to vision, scene narrative, create a variety of audio-visual wonders, but also give the unique interaction of digital aesthetics, openness, multi-dimensionality and freedom, so that creators have more freedom to deal with. Space and emotional expression space, so that the film writing to obtain a real freedom, but also to the viewer a unique aesthetic feeling.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2236945
[Abstract]:In the first part of this paper, the concept of science fiction movies, historical changes that the current development of a general comb, a brief summary of the 21st century Hollywood science fiction movies and the main types of themes, and traces back to the 21st century science fiction movies research status quo, clear the purpose of this study and research value, clarify the main use of narrative research in this paper. And the type of research methods, and a wide range of research methods combined with the 21st century science fiction film text interpretation and cultural analysis.
In the second part of this paper, focusing on the five relationships between people and their surroundings, the narrative themes and aesthetic characteristics of Hollywood science fiction films in the 21st century are analyzed concretely. Among them, in the relationship between people and society, Hollywood science fiction films in the 21st century are promoted by the civilization of post-industrial society and influenced by post-modernism in the ideological field. The fairy tales and anxieties of the post-modern industrial civilization; in the relationship between man and himself, it contains not only man's self-projection, but also the reflection of "post-anthropocentrism" on anthropocentrism; in the relationship between man and nature, it presents the concern of ecological criticism on nature, and sends a ring to mankind with the image of doomsday brought by ecological destruction. On the relationship between man and technology, it cheers for the development of science and technology, but also reflects on the possible negative impact of technology. The film also expresses anxiety and worry about the virtual human while expressing the advanced computer virtual human. On the relationship between man and the "other", it presents a package with fantastic imagination and gorgeous vision. Aliens, mutants, etc. are different from human beings. They also look forward to the future world of human beings, including utopian and anti-utopian / dystopian / dystopian social development patterns.
In the third part, the author quotes the concepts of classical narrative, modern narrative and post-modern narrative, and analyzes the different forms and evolution of Hollywood's science fiction narrative mode in the 21st century. As a product of the "upsurge replacement", the narrative mode of Hollywood's science fiction films in the 21st century has undergone new changes and evolution besides the classical narrative mode of science fiction movies. The polyphonic narratives of space-time crossing in modern context and the multi temporal and spatial clues in parallel universe.
The fourth part of this paper focuses on the two aspects of virtual reality and Digital Aesthetics to elaborate the aesthetic characteristics of Hollywood science fiction movies. As a product of the post-industrial culture era, many Hollywood science fiction movies in the 21st century embody the post-modern narrative attempt promoted by science and technology. They seek the relationship between reality and illusion by the combination of the illusion and reality in the imagery space. At the same time, science and technology make the film turn from content narrative to vision, scene narrative, create a variety of audio-visual wonders, but also give the unique interaction of digital aesthetics, openness, multi-dimensionality and freedom, so that creators have more freedom to deal with. Space and emotional expression space, so that the film writing to obtain a real freedom, but also to the viewer a unique aesthetic feeling.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 華倫·巴克蘭德,宋雁蓉,李含;在虛擬和現(xiàn)實(shí)之間——斯皮爾伯格的數(shù)字恐龍、想象的世界和新審美現(xiàn)實(shí)主義[J];北京電影學(xué)院學(xué)報(bào);2002年03期
2 游飛,蔡衛(wèi);電影新技術(shù)與后電影時(shí)代[J];當(dāng)代電影;2000年04期
3 陳犀禾;虛擬現(xiàn)實(shí)主義和后電影理論——數(shù)字時(shí)代的電影制作和電影觀念[J];當(dāng)代電影;2001年02期
4 余紀(jì);電影影像的本體論——從電影到后電影的美學(xué)發(fā)生學(xué)問題研究[J];當(dāng)代電影;2001年02期
5 鄧光輝,唐科;烏托邦之后:電影美學(xué)在今天[J];當(dāng)代電影;2001年02期
6 李迅;;類型化發(fā)展的必由之路[J];當(dāng)代電影;2010年12期
7 虞吉;電影的奇觀本性──從梅里愛到美國科幻電影的理論啟示[J];當(dāng)代電影;1998年05期
8 賈磊磊;電影的“虛擬時(shí)代”[J];電影創(chuàng)作;2000年03期
9 房芳;;美國超級(jí)英雄影片中的美國意識(shí)形態(tài)[J];電影評(píng)介;2007年18期
10 桂天寅;;解讀好萊塢科幻電影中人與人工智能的關(guān)系[J];電影評(píng)介;2007年24期
，本文編號(hào)：2236945
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2236945.html
教材專著
