從《神偷奶爸》系列論國產(chǎn)動畫IP發(fā)展
發(fā)布時間：2018-09-04 19:34
【摘要】：《神偷奶爸》系列電影,不僅收獲了驚人的票房,也捧紅了作品中的不少卡通形象,比如格魯、小黃人、艾格尼絲等。而這些角色,在動畫周邊市場乃至游戲市場,都有不俗的表現(xiàn)。這對于一個動畫IP來說,是巨大的成功。而作為從好萊塢層出不窮的動畫作品中脫穎而出的佳作,《神偷奶爸》系列也為國產(chǎn)動畫IP的營造提供了可行的出路。本文正是通過對《神偷奶爸》系列電影的解析,探尋國產(chǎn)動畫IP的前進道路。
[Abstract]:The Pop Theft series has not only garnered amazing box-office sales, but also enjoyed many of the cartoon characters in the film, such as Gru, the Little Yellow Man, Agnes and so on. And these characters, in the animation peripheral market and even the game market, have not vulgar performance. This is a huge success for an animated IP. As one of the best works emerging from Hollywood's endless animation works, the "Father of the Theft" series also provides a feasible way out for the construction of domestic animation IP. This paper explores the way forward of domestic animation IP by analyzing the series of movies.
【作者單位】： 魯迅美術(shù)學(xué)院;
【分類號】：J954
本文編號：2223134
[Abstract]:The Pop Theft series has not only garnered amazing box-office sales, but also enjoyed many of the cartoon characters in the film, such as Gru, the Little Yellow Man, Agnes and so on. And these characters, in the animation peripheral market and even the game market, have not vulgar performance. This is a huge success for an animated IP. As one of the best works emerging from Hollywood's endless animation works, the "Father of the Theft" series also provides a feasible way out for the construction of domestic animation IP. This paper explores the way forward of domestic animation IP by analyzing the series of movies.
【作者單位】： 魯迅美術(shù)學(xué)院;
【分類號】：J954
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