【摘要】：電影,作為大眾文化中的代表性文化形態(tài),在大眾傳媒高速發(fā)展的今天,越來越受到人們的關(guān)注。進(jìn)入二十一世紀(jì)以來,以《指環(huán)王》、《哈利·波特》《納尼亞傳奇》等系列電影為代表的魔幻電影憑借著精妙絕倫的想象力、宏大的敘事框架、具有視覺沖擊的影像特征為全世界刮來一陣魔幻之風(fēng),這些影片以精美的畫面和逼真的特效把觀眾帶入了一個(gè)從未涉足過的世界,觀眾的口碑和票房的雙豐收引得各大電影公司紛紛效仿,短短十幾年的時(shí)間便使魔幻電影成為一大賣座電影類型。 大眾文化的特點(diǎn)之一就是文化產(chǎn)品被大批量復(fù)制、傳播對(duì)象廣泛,市場和受眾的需求也往往影響著電影的創(chuàng)作。經(jīng)過多年的發(fā)展,中國電影也逐漸進(jìn)入了市場化和類型化時(shí)期,經(jīng)過中國電影人的不斷探索和努力,也創(chuàng)作出了一些帶有東方元素的中國魔幻電影。但是由于這一類型在中國本土還屬于新鮮事物,處在蓬勃發(fā)展時(shí)期,因此從它目前的發(fā)展?fàn)顩r來看,還存在著一些不足。本文就將目光投向中國大眾文化形態(tài)的代表之一——魔幻電影,具體分析中國魔幻電影的敘事影像特征和消費(fèi)主義語境下透露出的文化特征,并從中分析出我國魔幻電影存在的問題以及未來的發(fā)展趨勢(shì)。 緒論中介紹了本文的研究意義,研究現(xiàn)狀以及研究方法。 正文部分的第一章介紹了魔幻電影的定義和發(fā)展情況,并立足我國本土研究,對(duì)本文所要研究的對(duì)象進(jìn)行了界定,在國內(nèi)對(duì)中國魔幻電影尚無準(zhǔn)確定義的情況下,根據(jù)研究對(duì)象的特征為中國魔幻電影下了定義,并探討了我國魔幻電影產(chǎn)生的社會(huì)文化語境。 第二章結(jié)合具體文本,對(duì)中國魔幻電影的影像敘事方面進(jìn)行了分析,首先從電影的敘事策略方面分析,分別從題材的選取、敘事主題、敘事結(jié)構(gòu)和敘事空間四個(gè)方面對(duì)中國魔幻電影進(jìn)行了文本分析,概括出中國魔幻電影的基本敘事方式。接著從中國魔幻電影的影像畫面特征進(jìn)行分析,指出奇觀化是魔幻電影最重要的影像特征也是最明顯的表現(xiàn)形式,具體從靜態(tài)造型、動(dòng)作行為方面進(jìn)行分析,分析出中國魔幻電影所具備的奇觀化特征。 第三章將目光從電影的表現(xiàn)形式——敘事和影像方面轉(zhuǎn)向了其背后隱藏著的文化特征。經(jīng)過對(duì)具體文本的分析之后,分析出中國魔幻電影的內(nèi)在文化特征,不僅對(duì)我國傳統(tǒng)價(jià)值進(jìn)行了當(dāng)代演繹,將符合當(dāng)代價(jià)值觀念的部分進(jìn)行了保留和強(qiáng)化,將不符合當(dāng)代價(jià)值觀念的部分進(jìn)行了顛覆和消解,同時(shí),又從影像呈現(xiàn)中體現(xiàn)了大眾對(duì)于娛樂消費(fèi)方面的訴求,具體體現(xiàn)在對(duì)倫理秩序的弱化和對(duì)女性身體的消費(fèi)。 經(jīng)過對(duì)中國魔幻電影的敘事影像以及文化特征的分析之后,第四章則要談到中國魔幻電影自身的不足,最后對(duì)中國魔幻電影的未來進(jìn)行展望,探討其未來的發(fā)展趨勢(shì)。
[Abstract]:Film, as a representative cultural form in mass culture, has attracted more and more attention in the rapid development of mass media. Since the 21 century, magic films, such as the Lord of the Rings, Harry Potter, Narnia Legend and so on, have relied on their brilliant imagination and grand narrative framework. The visual impact features a magical wind blowing around the world, and these films bring the audience into a world that has never been set foot in, with beautiful pictures and vivid special effects. Public praise and box-office harvest led to the film companies have to follow, in just a decade to make magic movies become a big hit movie type. One of the characteristics of popular culture is that the cultural products are copied in large quantities, the objects of communication are widespread, and the market and the needs of the audience often affect the creation of films. After years of development, Chinese films have gradually entered the period of marketization and typology. Through the continuous exploration and efforts of Chinese filmmakers, some Chinese magic films with oriental elements have also been created. However, because this type is still new in China, it is in a period of vigorous development, so there are still some deficiencies in its current development. This paper focuses on one of the representatives of Chinese popular culture, magic film, and analyzes the narrative image characteristics of Chinese magic film and the cultural characteristics revealed in the context of consumerism. From the analysis of our country magic film problems and the future development trend. The introduction introduces the significance, research status and research methods of this paper. The first chapter of the text introduces the definition and development of magic film, and based on the local study of our country, defines the object of this paper, if there is no accurate definition of Chinese magic film in China. According to the characteristics of the object of study, this paper defines the Chinese magic film, and probes into the social and cultural context of the magic film in China. The second chapter combines the concrete text, carries on the analysis to the Chinese magic film image narration aspect, first from the movie narrative strategy aspect analysis, separately from the theme selection, the narrative theme, The narrative structure and narrative space of Chinese magic film are analyzed, and the basic narrative mode of Chinese magic film is summarized. Then it analyzes the image picture features of Chinese magic film, and points out that wonder is the most important image feature and the most obvious form of expression of magic film. It is analyzed from the aspects of static modeling and action behavior. Analysis of the magic film in China has the characteristics of wonders. The third chapter focuses on the cultural features hidden behind the film from the aspects of narrative and image. After analyzing the specific text, this paper analyzes the internal cultural characteristics of Chinese magic film, not only deduces the traditional value of our country, but also preserves and strengthens the part that accords with the contemporary value. The part which does not accord with the contemporary values is subverted and dispelled. At the same time, the mass demands for entertainment consumption are reflected in the image presentation, which is embodied in the weakening of the ethical order and the consumption of the female body. After analyzing the narrative images and cultural characteristics of Chinese magic films, the fourth chapter discusses the shortcomings of the Chinese magic movies, and finally looks forward to the future of Chinese magic movies and discusses the future development trend.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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