【摘要】：我們目前正處于一個(gè)由影像構(gòu)成的社會(huì),人們通過媒體來接受社會(huì)信息,通過觀看電影、電視劇、動(dòng)畫片來閱讀故事,了解知識(shí),見識(shí)科技。影像已經(jīng)是我們?nèi)粘Ｉ畈豢苫蛉钡囊徊糠至�。在這之前,我們通過的是紙張,比如報(bào)紙,連環(huán)畫,小人書。從報(bào)紙上閱讀當(dāng)下的國家大事,連環(huán)畫讓人們對(duì)文字故事有了新的視覺享受,小人書更是代替了舊時(shí)的說書人。說到“動(dòng)漫”,想必都不陌生,“動(dòng)漫”在當(dāng)下社會(huì)占據(jù)著很重要位置,它的發(fā)展,它的進(jìn)步,還有層出不窮的優(yōu)秀作品深得大眾喜愛。這個(gè)由“鐵箱”跑出來的魔術(shù)到現(xiàn)在為止已經(jīng)發(fā)展到需要一套嚴(yán)謹(jǐn)復(fù)雜的制作流程,制作出一部十分優(yōu)秀的動(dòng)漫作品不光需要制作者的那一點(diǎn)點(diǎn)奇思妙想,更是有嚴(yán)謹(jǐn)?shù)闹谱鞑襟E。該文在第一章節(jié)中介紹分鏡概論,在第二章節(jié)里對(duì)分鏡理論研究當(dāng)前國內(nèi)外的現(xiàn)在與發(fā)展趨勢(shì)進(jìn)行分析,研究該論題的可研究價(jià)值。第三章深入對(duì)分鏡在動(dòng)畫與漫畫創(chuàng)作的運(yùn)用進(jìn)行研究分析,具體分析分鏡在動(dòng)畫與漫畫中的差異以及分別在動(dòng)畫與漫畫中具有如何的重要作用,以一些經(jīng)典作品為例具體分析。第四章整理出當(dāng)下分鏡設(shè)計(jì)理論體系急需解決的一些問題,加以研究解決。然后結(jié)合畢業(yè)設(shè)計(jì)《碼》為例綜合分鏡運(yùn)用。在該文最后一章節(jié)總結(jié)分鏡在動(dòng)畫與漫畫中的運(yùn)用研究。該文以分鏡在動(dòng)畫與漫畫中的運(yùn)用研究整理并總結(jié)分鏡設(shè)計(jì)理論學(xué)習(xí)的必要性,能為廣大動(dòng)漫研究者提供一定的參考,重視并加以運(yùn)用。為中國動(dòng)漫研究做一點(diǎn)貢獻(xiàn)。
[Abstract]:We are now in a society of images, where people receive social information through the media, read stories, understand knowledge, and see technology by watching movies, TV dramas, cartoons. Images are already an integral part of our daily lives. Before that, we passed paper, such as newspapers, comic books, miniature books. Reading about current state events in the newspapers, comic books give people a new visual enjoyment of text stories, and they replace old storytellers. When it comes to anime, it is no stranger. Animation occupies a very important position in the present society. Its development, its progress, and the endless stream of excellent works are deeply loved by the public. So far, this magic trick from the "Iron Box" has developed to require a rigorous and complex production process to produce a very good anime, not just a little bit of ingenuity on the part of the producer. There are also rigorous production steps. In the first chapter, an introduction to the theory of split mirror is introduced. In the second chapter, the present and developing trends of the theory of split mirror at home and abroad are analyzed, and the research value of this topic is studied. The third chapter makes a deep research and analysis on the application of split mirror in animation and comics creation, and analyzes the difference between comics and animation, and how to play an important role in animation and comics, taking some classic works as an example. In chapter 4, some problems that need to be solved in the theoretical system of split-mirror design are put forward. Then combined with graduation design < code > as an example of the use of comprehensive sub-mirror. In the last chapter of this paper, the paper summarizes the application of mirror in animation and cartoon. This paper summarizes the necessity of studying the theory of split mirror design by studying the application of split mirror in animation and comics, which can provide a certain reference for the majority of animation researchers, attach importance to it and make use of it. For the study of animation in China to make a little contribution.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954;J218.2

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本文編號(hào)：2213779