發(fā)布時(shí)間：2018-08-30 17:03

【摘要】：傳統(tǒng)的武俠電影無(wú)法滿足觀眾的創(chuàng)新期待,發(fā)展?jié)u入瓶頸。武俠電影在轉(zhuǎn)型期中逐漸分成了不同類別,有的融合奇幻電影,依托數(shù)字特效,打造更華麗的視覺(jué)奇觀;有的則作者化更加明顯,或?qū)ξ鋫b電影做出反類型解構(gòu)。徐浩峰的武俠電影便是后者中解構(gòu)最為徹底的,他打造了全新的"武行電影"類型,使武林、武人、武術(shù)重新還原真實(shí),并試圖重塑觀眾的期待視野。本文從接受美學(xué)角度來(lái)對(duì)徐浩峰武俠電影類型的轉(zhuǎn)型做接受基礎(chǔ)分析、接受狀況解讀,并研究接受美學(xué)"隱含的讀者"理論對(duì)徐浩峰電影再創(chuàng)作的影響。論文共分為六個(gè)部分,序言中概括了武俠電影轉(zhuǎn)型期的特點(diǎn),對(duì)接受美學(xué)做出了整體闡釋;第一章闡述接受美學(xué)視域下的武俠電影發(fā)展史,分析武俠電影的接受史與效果史,并對(duì)當(dāng)前武俠電影的現(xiàn)狀及其原因作出分析,并討論武俠電影當(dāng)前轉(zhuǎn)型的新方向;第二章講徐浩峰武俠電影的觀眾接受分析,闡述觀眾對(duì)徐類型創(chuàng)新的認(rèn)同和不認(rèn)同之處,指出徐浩峰電影的文化意義先導(dǎo)性;第三章從召喚結(jié)構(gòu)與"隱含的讀者"角度分別對(duì)徐浩峰電影做出文本分析;第四章闡述徐浩峰電影研究與畢業(yè)劇本創(chuàng)作的關(guān)系;結(jié)語(yǔ)對(duì)徐浩峰武俠電影能否形成持續(xù)的規(guī)模化的類型創(chuàng)新做出分析闡述,分析其電影對(duì)武俠電影類型發(fā)展的影響。
[Abstract]:The traditional martial arts movie can not satisfy the audience's innovation expectation, the development gradually enters the bottleneck. In the transition period, the martial arts movies are gradually divided into different categories, some fusion fantasy movies, relying on digital special effects, to create a more gorgeous visual spectacle; others are more obvious, or the martial arts films made anti-type deconstruction. Xu Haofeng's martial arts film is the most thorough deconstruction of the latter, he created a new type of "martial arts film", so that martial arts, martial arts to restore reality, and try to reshape the audience's vision of expectations. From the perspective of reception aesthetics, this paper makes a basic analysis of the transformation of Xu Haofeng's martial arts movies, interprets the reception situation, and studies the influence of the "implied reader" theory of reception aesthetics on Xu Haofeng's film re-creation. The thesis is divided into six parts, the preface summarizes the characteristics of the transformation period of the martial arts film, makes the overall explanation to the reception aesthetics; the first chapter expounds the history of the development of the martial arts film in the field of reception aesthetics, analyzes the history of the acceptance and the effect of the martial arts film. It also analyzes the current situation and causes of the martial arts movies, and discusses the new direction of the current transformation of the martial arts movies. Chapter two discusses the audience acceptance analysis of Xu Haofeng's martial arts films, and expounds the audience's identification with and disapproval of Xu's innovation. The author points out the cultural significance of Xu Haofeng's films, analyzes the text of Xu Haofeng's films from the angle of summoning structure and "implied readers", and expounds the relationship between Xu Haofeng's film research and graduation script creation. The conclusion analyzes whether Xu Haofeng's martial arts movies can form a sustained large-scale type innovation, and analyzes the influence of his films on the development of martial arts movies.
【學(xué)位授予單位】：中國(guó)電影藝術(shù)研究中心
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J911

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本文編號(hào)：2213711