【摘要】：本文試圖通過分析國(guó)產(chǎn)推理片與推理小說之間的聯(lián)系,提供一種影視創(chuàng)作思路。推理小說范疇很廣,不僅有注重解謎的本格推理小說,還有包含解謎、懸疑、驚悚、犯罪元素的泛推理小說。在推理片中,推理更像一種萬能的可添加"元素"。國(guó)產(chǎn)推理片中除了小部分本格推理片外,以多樣化題材的泛推理片為主。國(guó)產(chǎn)推理片中"偵探"的形象較少,警察形象居多,且注重塑造人物。國(guó)產(chǎn)推理片包含多種敘事手法,其中不少高質(zhì)量影片采用了"POV敘事"。不同類型片與推理片之間有著良好的相性,不同類型的疊加會(huì)產(chǎn)生無限可能。
[Abstract]:This paper tries to provide an idea of film and television creation by analyzing the relationship between domestic reasoning film and reasoning novel. The range of reasoning novels is very wide, not only the original reasoning novels which focus on solving riddles, but also the universal reasoning novels which contain riddles, suspense, thrillers and criminal elements. In a reasoning film, reasoning is more like a universal addition of elements. In the domestic reasoning film, except for a small part of the reasoning film, a variety of universal reasoning film is the main subject matter. The domestic reasoning film "detective" image is less, the police image is the majority, and pays attention to shaping the character. Domestic reasoning films contain many narrative techniques, and many high-quality films adopt POV narration. There is good phase between different types of chips and reasoning pieces, and different types of superposition will produce infinite possibility.
【分類號(hào)】：J905

【相似文獻(xiàn)】

相關(guān)期刊論文 前5條

1 黎明;;國(guó)外流行的推理文學(xué)作品簡(jiǎn)介[J];電影評(píng)介;1979年06期

2 ;娛樂串燒[J];電腦愛好者;2010年14期

3 洪旗;黑暗的深淵[J];世界電影;1994年02期

4 郭寧;;《白夜行》:只想在陽光下牽手[J];大眾電影;2010年02期

5 曉溪;;一場(chǎng)貓鼠游戲 經(jīng)典懸疑劇《偵查》[J];上海戲劇;2010年01期

相關(guān)重要報(bào)紙文章 前2條

1 本報(bào)記者 龔丹韻;“阿婆熱”的背后是社會(huì)轉(zhuǎn)型[N];解放日?qǐng)?bào);2010年

2 河西;懸念與溫情[N];21世紀(jì)經(jīng)濟(jì)報(bào)道;2012年

，

本文編號(hào)：2204000