20世紀90年代以來家庭倫理劇模式化問題研究
發(fā)布時間:2018-08-25 18:41
【摘要】:中國的家庭倫理劇自20世紀90年代以來,經過二十多年的發(fā)展,逐漸形成一套成熟的創(chuàng)作套路,但這種成熟又使另外一方面的問題凸顯出來,即家庭倫理劇陷入了創(chuàng)作的模式化:故事情節(jié)大同小異、人物設定似曾相識、題材表現循環(huán)往復,等等,這種模式化無疑已經開始制約著中國家庭倫理劇的進一步發(fā)展。 既然中國家庭倫理劇的創(chuàng)作中存在著模式化問題已是不容置疑的事實,那就更要求我們不但能夠從宏觀上對這一現象有所把握,更需要從微觀層面深入探討造成這一現象的具體成因,,并由此推導出有可能解決這一問題的可行性方法。 本文擬從“模式化”這一視角對切入,對20世紀90年代以來在社會上引起過較大反響的家庭倫理劇作品予以觀照,力圖明晰其中存在著人物模式化、題材模式化、敘事風格模式化及主題模式化等幾大模式化現象,并進行相應的分析。在此基礎上,進一步探討造成這些問題的幾方因素:審查體制、觀眾接受心理、制作方和創(chuàng)作者等。在對其成因有了明確的把握后,試圖提出一部分可行的理論性方案。
[Abstract]:Since the 1990s, after more than 20 years of development, Chinese family ethics drama has gradually formed a set of mature creative routines, but this maturity has made the other side of the problem stand out. That is, the family ethics drama has fallen into the pattern of creation: the story plot is more or less the same, the character set deja vu, the theme performance circulates back and forth, and so on, this kind of pattern has undoubtedly begun to restrict the further development of the Chinese family ethics drama. Since it is an indisputable fact that there is a stylized problem in the creation of Chinese family ethics dramas, it requires us not only to have a good grasp of this phenomenon from the macro perspective, It is necessary to probe into the causes of this phenomenon from the micro level, and to deduce the feasible method to solve the problem. From the perspective of "pattern", this article intends to take a look at the family ethics drama works which have aroused great repercussions in the society since the 1990s, and try to make it clear that there are patterns of characters and motifs in them. Narration style pattern and theme pattern and so on several big pattern phenomenon, and carries on the corresponding analysis. On the basis of this, several factors causing these problems are further discussed: censorship system, audience acceptance psychology, producers and creators, and so on. After having a clear understanding of its causes, this paper tries to put forward some feasible theoretical schemes.
【學位授予單位】:廣西民族大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J905
本文編號:2203762
[Abstract]:Since the 1990s, after more than 20 years of development, Chinese family ethics drama has gradually formed a set of mature creative routines, but this maturity has made the other side of the problem stand out. That is, the family ethics drama has fallen into the pattern of creation: the story plot is more or less the same, the character set deja vu, the theme performance circulates back and forth, and so on, this kind of pattern has undoubtedly begun to restrict the further development of the Chinese family ethics drama. Since it is an indisputable fact that there is a stylized problem in the creation of Chinese family ethics dramas, it requires us not only to have a good grasp of this phenomenon from the macro perspective, It is necessary to probe into the causes of this phenomenon from the micro level, and to deduce the feasible method to solve the problem. From the perspective of "pattern", this article intends to take a look at the family ethics drama works which have aroused great repercussions in the society since the 1990s, and try to make it clear that there are patterns of characters and motifs in them. Narration style pattern and theme pattern and so on several big pattern phenomenon, and carries on the corresponding analysis. On the basis of this, several factors causing these problems are further discussed: censorship system, audience acceptance psychology, producers and creators, and so on. After having a clear understanding of its causes, this paper tries to put forward some feasible theoretical schemes.
【學位授予單位】:廣西民族大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J905
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