“大時(shí)代”的崇高敘事與英雄形象的視覺(jué)建構(gòu)
發(fā)布時(shí)間：2018-08-23 08:59
【摘要】：在當(dāng)代中國(guó)社會(huì)轉(zhuǎn)型的宏觀層面,凸顯"大時(shí)代"崇高感的宏大敘事始終是主流文化的核心敘事策略之一。大眾文化的視覺(jué)表意實(shí)踐對(duì)這一敘事策略的編碼過(guò)程,不僅帶有主流文化的深刻烙印,而且隨著時(shí)代語(yǔ)境的變遷不斷融入更豐富的視覺(jué)話語(yǔ)內(nèi)涵。當(dāng)代電視劇中的英雄形象作為其中最具有代表性的形象符號(hào)之一,深刻反映了這一變遷歷程。具體而言,在歷時(shí)性和共時(shí)性兩個(gè)維度,這一形象符號(hào)既在敘事策略層面體現(xiàn)了從"附魅"、"祛魅"到"返魅"的轉(zhuǎn)變過(guò)程,又在大眾視覺(jué)經(jīng)驗(yàn)層面經(jīng)歷了從啟蒙、重塑到日常生活化的深化過(guò)程。在這一過(guò)程中,以崇高感為基本特征的宏大敘事不斷遭到解構(gòu)和重構(gòu),并因此成為彰顯中國(guó)當(dāng)代社會(huì)轉(zhuǎn)型的重要表征之一。
[Abstract]:At the macro level of the social transformation in contemporary China, the grand narrative, which highlights the sublime sense of the "Great Age", has always been one of the core narrative strategies of the mainstream culture. The coding process of this narrative strategy by the visual ideographic practice of popular culture not only carries the deep imprint of mainstream culture, but also integrates the richer connotation of visual discourse with the change of the context of the times. As one of the most representative image symbols, the hero image in contemporary TV series reflects the changing course. Specifically, in both diachronic and synchronic dimensions, this image symbol not only embodies the transformation process from "enchanting", "disenchantment" to "reenchantment" in narrative strategy level, but also experiences enlightenment in the level of public visual experience. Reshape to the deepening process of daily life. In this process, the grand narration characterized by sublime sense has been constantly deconstructed and reconstructed, and has thus become one of the most important symbols of the transformation of Chinese contemporary society.
【作者單位】： 南京大學(xué)藝術(shù)研究院;
【基金】：教育部哲學(xué)社會(huì)科學(xué)研究重大課題攻關(guān)項(xiàng)目“當(dāng)代中國(guó)社會(huì)轉(zhuǎn)型中的視覺(jué)文化研究”(12JZD019)、教育部人文社會(huì)科學(xué)研究一般項(xiàng)目“視覺(jué)文化語(yǔ)境中的藝術(shù)生產(chǎn)理論研究”(13YJA760025)的階段性成果 江蘇省高�！扒嗨{(lán)工程”中青年學(xué)科帶頭人培養(yǎng)對(duì)象項(xiàng)目資助
【分類號(hào)】：J905
[Abstract]:At the macro level of the social transformation in contemporary China, the grand narrative, which highlights the sublime sense of the "Great Age", has always been one of the core narrative strategies of the mainstream culture. The coding process of this narrative strategy by the visual ideographic practice of popular culture not only carries the deep imprint of mainstream culture, but also integrates the richer connotation of visual discourse with the change of the context of the times. As one of the most representative image symbols, the hero image in contemporary TV series reflects the changing course. Specifically, in both diachronic and synchronic dimensions, this image symbol not only embodies the transformation process from "enchanting", "disenchantment" to "reenchantment" in narrative strategy level, but also experiences enlightenment in the level of public visual experience. Reshape to the deepening process of daily life. In this process, the grand narration characterized by sublime sense has been constantly deconstructed and reconstructed, and has thus become one of the most important symbols of the transformation of Chinese contemporary society.
【作者單位】： 南京大學(xué)藝術(shù)研究院;
【基金】：教育部哲學(xué)社會(huì)科學(xué)研究重大課題攻關(guān)項(xiàng)目“當(dāng)代中國(guó)社會(huì)轉(zhuǎn)型中的視覺(jué)文化研究”(12JZD019)、教育部人文社會(huì)科學(xué)研究一般項(xiàng)目“視覺(jué)文化語(yǔ)境中的藝術(shù)生產(chǎn)理論研究”(13YJA760025)的階段性成果 江蘇省高�！扒嗨{(lán)工程”中青年學(xué)科帶頭人培養(yǎng)對(duì)象項(xiàng)目資助
【分類號(hào)】：J905
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