【摘要】：正電影構(gòu)圖源于傳統(tǒng)繪畫,3D電影中的構(gòu)圖除了要遵循傳統(tǒng)的視覺原理之外,還要兼顧3D電影的視覺表達(dá)方式和制作技術(shù),因此3D電影構(gòu)圖手法發(fā)生了相應(yīng)的變化。"動(dòng)態(tài)立體構(gòu)圖"是3D電影區(qū)別于傳統(tǒng)平面電影的重要構(gòu)圖方法。作者認(rèn)為,"動(dòng)態(tài)立體構(gòu)圖"概念是在三維透視空間中,包括色彩、角度、光、位置、空間等畫面元素處在運(yùn)動(dòng)變化的狀態(tài)。"動(dòng)態(tài)立體構(gòu)圖"也由此帶來了畫面格局的連續(xù)變化,可實(shí)現(xiàn)在推進(jìn)故事情節(jié)發(fā)展的同時(shí),幫助3D影視作品創(chuàng)造
[Abstract]:In addition to following the traditional visual principles, the normal film composition should also take into account the visual expression and production techniques of 3D films. Therefore, the techniques of 3D film composition have changed accordingly. " Dynamic Stereo composition is an important method for 3D film to be different from traditional plane film. The author thinks that the concept of "dynamic three-dimensional composition" is in the state of motion change of picture elements in three-dimensional perspective space, including color, angle, light, position, space and so on. Dynamic three-dimensional composition also brings continuous changes to the picture pattern, which can help create 3D film and television works while promoting the development of storyline.
【作者單位】： 四川傳媒學(xué)院;西南交通大學(xué);
【基金】：2015年四川省教育廳《新時(shí)期影視藝術(shù)的視覺傳達(dá)應(yīng)用基礎(chǔ)研究》科研一般項(xiàng)目(項(xiàng)目編號(hào):15SB0270)成果
【分類號(hào)】：J906;TP391.41
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本文編號(hào)：2197617