淺析鏡頭語言在劇情片《路》中的運用
發(fā)布時間：2018-08-18 10:18
【摘要】：影視文學劇本是由人物的塑造、情節(jié)的編排和矛盾沖突構(gòu)成，有了文學劇本，挑選合適的演員，加上中期的拍攝和后期的剪輯，就形成了一部完整的影視劇作品。蒙太奇手法是影視作品拍攝制作過程中最為實用卻也最難掌握的方式，如何通過對分鏡頭的運用，將文字語言轉(zhuǎn)化成為鏡頭語言，并且使鏡頭語言更加直觀，這是運用蒙太奇手法的一大難點。 本文重在對《路》這部影片中鏡頭語言的運用進行具體分析，，在景別的運用上，分別說明了各種景別的定義，并結(jié)合影片中運用的景別進行分析。片子中通過運用推、搖、移這三種主要的拍攝方式，形成不同感覺的畫面，促進劇情發(fā)展。最后在畫面的處理方面，也是結(jié)合影片的剪輯部分逐一分析。本文還講述了鏡頭語言與光線色彩的關(guān)系，拍攝中的重點難點及不足。 在一部作品當中，鏡頭語言的運用是否得當，關(guān)系到作品能否充分地展示主題，表現(xiàn)主要內(nèi)容，從而引發(fā)人們的共鳴。所以說鏡頭語言是影視作品重要的組成部分。
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
本文編號：2189163
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
【參考文獻】
相關(guān)期刊論文 前3條
1 王健龍;;利用三維優(yōu)勢充分發(fā)揮鏡頭語言[J];大眾文藝;2011年15期
2 儲菲菲;;影像語言結(jié)構(gòu)的夢幻與神奇——析電影《迷墻》的鏡頭語言[J];青年作家(中外文藝版);2010年08期
3 趙春;;一種影像,兩道風景——小津安二郎與侯孝賢電影比較[J];藝術(shù)學界;2011年01期
本文編號：2189163
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