淺析鏡頭語(yǔ)言在劇情片《路》中的運(yùn)用
發(fā)布時(shí)間：2018-08-18 10:18
【摘要】：影視文學(xué)劇本是由人物的塑造、情節(jié)的編排和矛盾沖突構(gòu)成，有了文學(xué)劇本，挑選合適的演員，加上中期的拍攝和后期的剪輯，就形成了一部完整的影視劇作品。蒙太奇手法是影視作品拍攝制作過程中最為實(shí)用卻也最難掌握的方式，如何通過對(duì)分鏡頭的運(yùn)用，將文字語(yǔ)言轉(zhuǎn)化成為鏡頭語(yǔ)言，并且使鏡頭語(yǔ)言更加直觀，這是運(yùn)用蒙太奇手法的一大難點(diǎn)。 本文重在對(duì)《路》這部影片中鏡頭語(yǔ)言的運(yùn)用進(jìn)行具體分析，，在景別的運(yùn)用上，分別說明了各種景別的定義，并結(jié)合影片中運(yùn)用的景別進(jìn)行分析。片子中通過運(yùn)用推、搖、移這三種主要的拍攝方式，形成不同感覺的畫面，促進(jìn)劇情發(fā)展。最后在畫面的處理方面，也是結(jié)合影片的剪輯部分逐一分析。本文還講述了鏡頭語(yǔ)言與光線色彩的關(guān)系，拍攝中的重點(diǎn)難點(diǎn)及不足。 在一部作品當(dāng)中，鏡頭語(yǔ)言的運(yùn)用是否得當(dāng)，關(guān)系到作品能否充分地展示主題，表現(xiàn)主要內(nèi)容，從而引發(fā)人們的共鳴。所以說鏡頭語(yǔ)言是影視作品重要的組成部分。
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2189163
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
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2 儲(chǔ)菲菲;;影像語(yǔ)言結(jié)構(gòu)的夢(mèng)幻與神奇——析電影《迷墻》的鏡頭語(yǔ)言[J];青年作家(中外文藝版);2010年08期
3 趙春;;一種影像,兩道風(fēng)景——小津安二郎與侯孝賢電影比較[J];藝術(shù)學(xué)界;2011年01期
本文編號(hào)：2189163
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