中國西部電影中底層人物形象塑造的變遷
發(fā)布時間：2018-08-15 14:32
【摘要】：中國西部電影是極富中國特色又具有強(qiáng)烈西部精神和深厚文化內(nèi)涵的電影流派。它自從誕生的那一刻就與“底層人物”結(jié)下了不解之緣,這不僅僅是因為“中國西部電影”在作為一個概念被提出時就提倡要切實地反映底層生活,更在于創(chuàng)作層面上,尤其是西部影人在對影片中的底層人物進(jìn)行塑造的過程中逐步把握了中國西部電影的脈搏,并且也摸索出了西部電影所獨有的魅力和氣質(zhì)。當(dāng)然,這里實際上也引出一個新課題,那就是西部電影中的底層形象究竟有什么獨特之處,不同時期西部電影中的底層人物形象又有哪些變化,研究西部電影中的底層形象又有哪些獨特意義?這些問題也正是本文需要著力研究和解決的。 本文主要關(guān)注中國西部電影作品中底層人物形象塑造的變遷,并按照中國西部電影的發(fā)展進(jìn)程,以西部電影中底層人物形象演變?yōu)橐罁?jù),并按照線性順序,從中國西部電影誕生伊始所處的改革開放初期,到西部電影逐漸朝多元化發(fā)展的新世紀(jì),一共分為三個階段,分別是早期的傳統(tǒng)西部電影時期、在困頓中探索的西部電影轉(zhuǎn)型期以及新世紀(jì)以來西部電影多元化發(fā)展新時期,本文通過研究這三個時期不同語境之下中國西部電影中的底層人物形象的特征流變來探尋中國西部電影的發(fā)展與變遷。
[Abstract]:Chinese western film is a genre with Chinese characteristics, strong western spirit and profound cultural connotation. Since its birth, it has been inextricably related to "the bottom character", not only because "Western Chinese Film" was proposed as a concept, but also because it advocated to reflect the bottom life in a practical way, but also at the creative level. In particular, in the process of portraying the bottom characters in the films, the western filmmakers gradually grasped the pulse of the western movies, and found out the unique charm and temperament of the western films. Of course, this actually leads to a new topic, that is, what is the uniqueness of the bottom image in the western movies, and what changes have taken place in the bottom image of the western film in different periods? What is the unique significance of studying the bottom image in western movies? These problems also need to be studied and solved in this paper. This paper mainly pays attention to the change of the image of the bottom character in the film works of western China, and according to the development process of the film in the west of China, based on the evolution of the image of the bottom character in the film of western China, and according to the linear order, From the early stage of reform and opening to the outside world at the beginning of the birth of western Chinese films, to the new century in which western films are gradually moving towards diversification, they are divided into three stages, namely, the early period of traditional western films. The period of western film transformation and the new period of diversified development of western movies since the new century, This paper explores the development and changes of Chinese western films through the study of the changes of the characters of the bottom characters in the three different contexts.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
本文編號：2184496
[Abstract]:Chinese western film is a genre with Chinese characteristics, strong western spirit and profound cultural connotation. Since its birth, it has been inextricably related to "the bottom character", not only because "Western Chinese Film" was proposed as a concept, but also because it advocated to reflect the bottom life in a practical way, but also at the creative level. In particular, in the process of portraying the bottom characters in the films, the western filmmakers gradually grasped the pulse of the western movies, and found out the unique charm and temperament of the western films. Of course, this actually leads to a new topic, that is, what is the uniqueness of the bottom image in the western movies, and what changes have taken place in the bottom image of the western film in different periods? What is the unique significance of studying the bottom image in western movies? These problems also need to be studied and solved in this paper. This paper mainly pays attention to the change of the image of the bottom character in the film works of western China, and according to the development process of the film in the west of China, based on the evolution of the image of the bottom character in the film of western China, and according to the linear order, From the early stage of reform and opening to the outside world at the beginning of the birth of western Chinese films, to the new century in which western films are gradually moving towards diversification, they are divided into three stages, namely, the early period of traditional western films. The period of western film transformation and the new period of diversified development of western movies since the new century, This paper explores the development and changes of Chinese western films through the study of the changes of the characters of the bottom characters in the three different contexts.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
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