發(fā)布時(shí)間：2018-08-05 19:56

【摘要】：正就一部影片而言,《摔跤吧!爸爸》的影像艷麗、充滿(mǎn)異域風(fēng)情。導(dǎo)演尼特什·提瓦瑞將一個(gè)簡(jiǎn)單的女性成長(zhǎng)的勵(lì)志故事演繹得細(xì)膩而精彩,真實(shí)卻傳奇。那么,把影片標(biāo)榜為女性主義電影是否合適?影片對(duì)同為第三世界國(guó)家的中國(guó)來(lái)說(shuō),又有怎樣的啟示與意義?一、被逼出來(lái)的女性意識(shí)影片《摔跤吧,爸爸》敘述了印度摔跤手馬哈維亞·辛格把兩個(gè)女兒培養(yǎng)成摔跤世界冠軍的艱難歷程。吉塔和芭比塔的命運(yùn)原本與大多數(shù)印度女孩毫無(wú)分別:早早被嫁,生子,在廚房與菜市場(chǎng)中度過(guò)一生。因
[Abstract]:As far as a movie is concerned, wrestling! Dad > the image is gorgeous, full of exotic customs. Director Nietesh Tiwari makes the story of a simple woman growing up subtly and wonderfully true but legendary. So, is it appropriate to label the film as a feminist film? What is the inspiration and significance of the film to China, which is also a third world country? The forced Feminine consciousness film "Wrestling, Dad" tells the story of the struggle of Indian wrestler Mahavia Singh to turn his two daughters into world champions of wrestling. Gita and Barbita had the same fate as most Indian girls: married early, having children and spending their lives in kitchens and markets. Cause
【作者單位】： 廈門(mén)大學(xué)中文系;
【分類(lèi)號(hào)】：J905

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