【摘要】：我國(guó)首位諾貝爾文學(xué)獎(jiǎng)得主莫言,一直是電影導(dǎo)演最為熱捧的作家。他小說(shuō)改編成的電影曾在熒屏大顯神威,并引發(fā)社會(huì)各界普遍關(guān)注。如今,隨著以電影為代表的視覺(jué)文化載體對(duì)大眾流行文化的傳播呈不斷擴(kuò)張的趨勢(shì),越來(lái)越多的電影導(dǎo)演選擇將既有的小說(shuō)文本直接進(jìn)行電影改編的再創(chuàng)作,而小說(shuō)寫(xiě)作者也在寫(xiě)作時(shí)融合電影劇本的敘述語(yǔ)言。本文通過(guò)運(yùn)用闡釋學(xué)和敘事學(xué)的相關(guān)理論,分析了莫言小說(shuō)中的電影元素,并以其具體改編的電影為例,探討小說(shuō)電影改編的美學(xué)特質(zhì),進(jìn)一步剖析莫言小說(shuō)電影改編的影響因素和成敗得失。筆者通過(guò)五個(gè)部分對(duì)于莫言小說(shuō)的電影改編進(jìn)行了論述。首先簡(jiǎn)述了莫言小說(shuō)電影改編的基本情況以及電影改編的特點(diǎn),綜合評(píng)述了莫言小說(shuō)電影改編的研究現(xiàn)狀,并在此基礎(chǔ)上界定了本文研究的意義和價(jià)值；其次著重闡釋了在當(dāng)時(shí)影視化大潮的沖擊下,莫言小說(shuō)創(chuàng)作受電影手法的影響出現(xiàn)的影視化傾向,如蒙太奇的結(jié)構(gòu)、戲劇化的情節(jié)、鏡頭化的語(yǔ)言等,共同構(gòu)成莫言小說(shuō)敘事中的電影元素；再次重點(diǎn)探討了,小說(shuō)和電影作為兩種不同的藝術(shù)媒介,為實(shí)現(xiàn)從文字到影像的審美轉(zhuǎn)換,電影從矛盾沖突、人物形象、審美傾向、敘事特點(diǎn)等方面對(duì)小說(shuō)進(jìn)行了重新闡釋,從不同作品的不同角度分析了莫言小說(shuō)的電影改編策略。另外,筆者還主要分析了在市場(chǎng)經(jīng)濟(jì)大潮中,電影改編者的態(tài)度和藝術(shù)追求、受眾對(duì)文本的接受程度以及國(guó)內(nèi)審查制度嚴(yán)格對(duì)于電影的影響。同時(shí),莫言小說(shuō)在電影改編過(guò)程中,既有許多成功的地方,又存在著挑戰(zhàn),產(chǎn)生了一些不足之處,成為影響莫言小說(shuō)改編以及改編的成敗得失的關(guān)鍵因素。筆者希望通過(guò)本文在進(jìn)一步剖析小說(shuō)和電影各自藝術(shù)特性的基礎(chǔ)上,指明二者各有所長(zhǎng),只有相互借鑒,充分發(fā)揮各自長(zhǎng)處,才能在文學(xué)性和市場(chǎng)化之間保持平衡,并產(chǎn)生良性雙向互動(dòng),實(shí)現(xiàn)互惠雙贏。
[Abstract]:Mo Yan, the first Nobel Prize winner in literature in China, has always been the most popular author of film directors. His novel adaptation of the film in the screen, and aroused widespread concern. Nowadays, with the spread of popular culture by the visual culture carrier represented by the film, more and more film directors choose to re-create the existing novel text directly. And the writer of the novel also fuses the narrative language of the movie script when writing. Based on the relevant theories of hermeneutics and narratology, this paper analyzes the film elements in Mo Yan's novels, and discusses the aesthetic characteristics of the adaptation of the novel film by taking the specific adaptation of the film as an example. Further analysis of Mo Yan's novel film adaptation of the factors and success or failure. The author discusses the adaptation of Mo Yan's novels in five parts. First of all, this paper briefly introduces the basic situation of Moyan's novel film adaptation and the characteristics of the film adaptation, and comprehensively comments on the research status of Mo Yan's novel film adaptation, and on this basis defines the significance and value of this study. Secondly, it explains the movie-oriented tendency of Mo Yan's novel creation influenced by the movie-style, such as montage structure, dramatic plot, shot language and so on, under the impact of the tide of film and television at that time. Once again, it is discussed that novel and film are two different artistic media, in order to realize the aesthetic transformation from text to image, film from conflict, character image, aesthetic tendency. The narrative characteristics and other aspects of the novel are reinterpreted, and the adaptation strategies of Mo Yan's novel are analyzed from different perspectives. In addition, the author mainly analyzes the influence of the film editors' attitude and artistic pursuit, the audience's acceptance of the text and the domestic censorship system on the film in the tide of market economy. At the same time, Mo Yan's novels in the process of film adaptation, there are many successes, but also challenges, has produced some deficiencies, become the key factors affecting the success or failure of Mo Yan's novel adaptation and the success or failure of adaptation. The author hopes that on the basis of further analysis of the respective artistic characteristics of novels and films, the author points out that each of them has its own strong points. Only by drawing lessons from each other and giving full play to their respective strengths, can they maintain a balance between literariness and marketization. And produces the benign two-way interaction, realizes mutually beneficial win-win.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.42;J905

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