電影《紫日》音樂研究
發(fā)布時間：2018-08-02 21:20
【摘要】：中國電影自1905年誕生以來已有百余年的歷史。與此同時,電影音樂也成為中國近現(xiàn)代音樂史上的一個特有現(xiàn)象。本文對一部電影音樂作品,即產(chǎn)生于21世紀伊始的電影《紫日》音樂進行音樂史學(xué)的探索性研究,以求拓寬音樂史學(xué)研究視角,豐富中國近現(xiàn)代音樂史料。同時,對電影音樂作品進行理論研究,進而為該領(lǐng)域的創(chuàng)作提供可借鑒的理論依據(jù)也是本文的另一初衷。 本文以音樂學(xué)分析方法為主,輔以統(tǒng)計、調(diào)查和采訪等方法,并借鑒民族音樂學(xué)研究方法,深入現(xiàn)場了解電影后期聲音制作過程,力圖做到資料全面詳實、見解獨到深刻。 全文正文分三章,加緒論和結(jié)論共五大部分。第一章對電影《紫日》的題材、劇情、獲獎情況、時代背景與影片特色、作曲家生平等進行全面介紹,并對研究中所涉及電影音樂專用術(shù)語進行梳理與選定。第二章分情感音樂和氣氛音樂兩大部分對影片中的原創(chuàng)音樂進行分析,同時對該片音樂的結(jié)構(gòu)類型進行歸納并探析使用此種結(jié)構(gòu)類型的原因。第三章是本文重點,依照電影音樂藝術(shù)的特殊性,從音樂與影片敘事的配合、影片音畫處理方式、音樂在影片戲劇性結(jié)構(gòu)構(gòu)建中所起的作用三大方面深入分析《紫日》音樂的創(chuàng)作及使用特點。結(jié)論對《紫日》音樂給出客觀評價,并給與其在電影音樂史上的合理定位,對產(chǎn)生不足的直接及深層原因進行探析,并對新時期中國電影音樂創(chuàng)作環(huán)境及存在的問題做了簡要論述。
[Abstract]:Chinese films have a history of more than 100 years since they were born in 1905. At the same time, film music has become a unique phenomenon in the history of modern Chinese music. This paper makes an exploratory study on music history of a movie musical work, that is, "Purple Day" music, which originated at the beginning of the 21st century, in order to broaden the perspective of musicological research and enrich the historical data of Chinese modern music. At the same time, the theoretical study of film music works, and then provide the theoretical basis for the creation of this field is another original intention of this paper. Based on the methods of musicology analysis, statistics, investigation and interview, and drawing lessons from the ethnomusicology research methods, this paper makes a deep understanding of the sound production process of the later stage of the film, and tries to make the materials comprehensive and detailed and original and profound. The text is divided into three chapters, plus introduction and conclusion of five parts. The first chapter gives a comprehensive introduction to the theme, plot, award-winning situation, background and characteristics of the film, life of the composer and so on, and combs and selects the special terms of film music involved in the study. The second chapter is divided into emotional music and atmosphere music to analyze the original music in the film, at the same time, the structure type of the music is summarized and the reason of using this kind of structure type is analyzed. The third chapter is the focus of this paper, according to the particularity of the film music art, from the music and film narrative coordination, film sound painting processing, The role of music in the construction of dramatic structure of the film is analyzed in three aspects. Conclusion the objective evaluation of "Purple Day" music is given, and its reasonable orientation in the history of film music is given, and the direct and deep causes of the deficiency are analyzed. At the same time, this paper briefly discusses the creation environment and existing problems of Chinese film music in the new period.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J617.6
本文編號：2160762
[Abstract]:Chinese films have a history of more than 100 years since they were born in 1905. At the same time, film music has become a unique phenomenon in the history of modern Chinese music. This paper makes an exploratory study on music history of a movie musical work, that is, "Purple Day" music, which originated at the beginning of the 21st century, in order to broaden the perspective of musicological research and enrich the historical data of Chinese modern music. At the same time, the theoretical study of film music works, and then provide the theoretical basis for the creation of this field is another original intention of this paper. Based on the methods of musicology analysis, statistics, investigation and interview, and drawing lessons from the ethnomusicology research methods, this paper makes a deep understanding of the sound production process of the later stage of the film, and tries to make the materials comprehensive and detailed and original and profound. The text is divided into three chapters, plus introduction and conclusion of five parts. The first chapter gives a comprehensive introduction to the theme, plot, award-winning situation, background and characteristics of the film, life of the composer and so on, and combs and selects the special terms of film music involved in the study. The second chapter is divided into emotional music and atmosphere music to analyze the original music in the film, at the same time, the structure type of the music is summarized and the reason of using this kind of structure type is analyzed. The third chapter is the focus of this paper, according to the particularity of the film music art, from the music and film narrative coordination, film sound painting processing, The role of music in the construction of dramatic structure of the film is analyzed in three aspects. Conclusion the objective evaluation of "Purple Day" music is given, and its reasonable orientation in the history of film music is given, and the direct and deep causes of the deficiency are analyzed. At the same time, this paper briefly discusses the creation environment and existing problems of Chinese film music in the new period.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J617.6
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