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論黃梅戲影視題材及其審美取向的嬗變

發(fā)布時間:2018-08-01 10:41
【摘要】:黃梅戲與影視媒介結(jié)合,在創(chuàng)作題材與審美取向上不斷進行演變與開拓,是黃梅戲一度風靡全國的重要原因,縱觀黃梅戲影視題材及其審美取向的嬗變過程,可歸納出三個階段:一是清新活潑的田園勞作題材和農(nóng)耕者的樸實審美趣味;二是強烈熱切的女性反抗題材和張揚自我、突破世俗的文人審美情懷;三是跌宕起伏的人生傳奇題材和注重哲理性探討的審美意蘊。整理、歸納黃梅戲影視題材和審美取向的變遷,便于后來者推陳出新,繼往開來。
[Abstract]:The combination of Huangmei Opera and film and television media, in the creation theme and aesthetic orientation of the continuous evolution and development of Huangmei Opera was once popular in the country important reasons, throughout the Huangmei Opera film and television themes and aesthetic orientation of the evolution of the process, It can be summed up into three stages: first, the fresh and lively theme of idyllic work and the simple aesthetic taste of the farmers; second, the intense and eager female resistance to the theme and publicity of self, and the breakthrough of the worldly aesthetic feelings of the literati; The third is the ups and downs of life legends and the aesthetic implications of paying attention to philosophical discussions. Collate, sum up the changes of film theme and aesthetic orientation of Huangmei Opera, facilitate the latecomers to bring forth the new and carry on from the past.
【作者單位】: 廣西科技大學藝術(shù)與文化傳播學院;
【分類號】:J901

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