【摘要】：南京作為民國歷史上的"一國之都",承載著基于民國歷史和政治認(rèn)同維度上的空間想象,而作為經(jīng)歷南京大屠殺慘劇的"罹難之都",更是將國難敘事加以空間化影像表現(xiàn)的重要題材來源�？疾飚�(dāng)代中國電影中的南京民國城市影像,城市景觀式的地域空間、全球化影像消費(fèi)的非地域空間以及差異、矛盾化的異質(zhì)空間分別表征著前現(xiàn)代式的精英政治、白話現(xiàn)代主義的消費(fèi)政治與后現(xiàn)代視野中的自反式哲學(xué)。南京民國城市影像不僅是對積淀于城市空間的民國歷史的一種追憶式塑造,更是多種文化政治投射于空間構(gòu)形的想象性顯影。
[Abstract]:Nanjing, as the capital of one country in the history of the Republic of China, bears the space imagination based on the dimension of the history and political identity of the Republic of China. As the "capital of death" which experienced the tragedy of Nanjing Massacre, it is an important subject source for the national disaster narration to be spatialized. The city images of the Republic of Nanjing in contemporary Chinese films, the regional space of urban landscape, the non-regional space of global image consumption and the difference, the contradictory heterogeneous space represent the pre-modern elitist politics, respectively. The consumer politics of vernacular modernism and the reflexive philosophy in postmodernism. The city image of the Republic of Nanjing is not only a kind of reminiscent molding of the history of the Republic of China accumulated in the urban space, but also a kind of imaginative development of many kinds of cultural and political projection on the spatial configuration.
【作者單位】： 上海大學(xué)上海電影學(xué)院;南京航空航天大學(xué)金城學(xué)院;
【基金】：江蘇高校哲學(xué)社會科學(xué)基金資助項(xiàng)目“南京民國城市影像的塑造與海外傳播研究”(項(xiàng)目批準(zhǔn)號:2016SJD760131)的階段性成果
【分類號】：J905
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本文編號：2153462