1998年版與2011年版《水滸》電視劇的比較研究
發(fā)布時間：2018-07-28 13:15
【摘要】：本文對1998年版和2011年版《水滸傳》進行了比較研究，，主要有以下幾個方面：一、人物論--對新舊兩版塑造的人物進行了對比；二、情節(jié)論--對新版所增加的情節(jié)進行了歸納分析；三、別論篇--對人物服飾、語言進行了對比研究；四、歸因篇--對上述不同原因進行了總結。本文旨在通過對《水滸傳》的批評研究揭示出二十一世紀人們對影視改編的態(tài)度及其新的審美特點。 通過比較，本文認為，新版《水滸傳》有許多新意，在某些方面是成功的。比如對宋江人物的塑造、對“淫婦”的重新審視都是新版《水滸傳》的亮點。但是它也有自身的局限性，比如對愛情戲的描寫就帶有深深的時代特點。
[Abstract]:This article has carried on the comparative research to the 1998 edition and the 2011 edition "Water margin", mainly has the following several aspects: first, the personage theory-has carried on the contrast to the new and the old edition molds the character; second, Plot theory-the new version of the added plot is summarized and analyzed; third, the different articles on the characters clothing, language comparative study; fourth, attribution chapter-to summarize the different reasons mentioned above. The purpose of this paper is to reveal people's attitude towards film and television adaptation and its new aesthetic characteristics in the 21 century through the critical study of Water margin. Through comparison, this paper holds that the new edition of Water margin has many new ideas and is successful in some aspects. For example, the portrayal of the characters of Song Jiang and the re-examination of the prostitute are the highlights of the new edition of the Water margin. But it also has its own limitations, such as the description of love drama with a deep characteristics of the times.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2150266
[Abstract]:This article has carried on the comparative research to the 1998 edition and the 2011 edition "Water margin", mainly has the following several aspects: first, the personage theory-has carried on the contrast to the new and the old edition molds the character; second, Plot theory-the new version of the added plot is summarized and analyzed; third, the different articles on the characters clothing, language comparative study; fourth, attribution chapter-to summarize the different reasons mentioned above. The purpose of this paper is to reveal people's attitude towards film and television adaptation and its new aesthetic characteristics in the 21 century through the critical study of Water margin. Through comparison, this paper holds that the new edition of Water margin has many new ideas and is successful in some aspects. For example, the portrayal of the characters of Song Jiang and the re-examination of the prostitute are the highlights of the new edition of the Water margin. But it also has its own limitations, such as the description of love drama with a deep characteristics of the times.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
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