【摘要】：正電影《愛樂之城》收獲了贊譽(yù),導(dǎo)演達(dá)米恩·查澤雷以匠人精神回歸電影本身,用鏡頭致敬經(jīng)典,以愛情為線索,以音樂為隱喻,向觀眾呈現(xiàn)了兩個(gè)年輕人的追夢(mèng)之旅。女主角米婭喜愛老電影明星,夢(mèng)想成為知名女演員與劇作家。男主人公塞巴斯蒂安是熱衷于古典爵士樂的鋼琴師。鏡頭在兩人之間來回切換,將兩個(gè)原本平行發(fā)展的人生,因一次次偶遇,有了交集,成就了彼此的夢(mèng)想。鏡頭書寫著他們的愛情,音樂隱喻表達(dá)了他們的夢(mèng)想,彼此
[Abstract]:Damien Chazeli, the director of the film, has won praise for the film. Damien Chazelay returns to the film itself with the spirit of the craftsman, salutes the classic with the lens, takes the love as the clue, takes the music as the metaphor, presents the dream journey of two young people to the audience. Mia, the leading actress, loves old movie stars and dreams of becoming a famous actress and playwright. Sebastian, the hero, is a pianist keen on classical jazz. The lens switches back and forth between two people, two originally parallel development life, because again and again meets, has the intersection, has accomplished each other's dream. The lens writes their love, the musical metaphor expresses their dream, each othe
【作者單位】： 成都理工大學(xué)工程技術(shù)學(xué)院;
【分類號(hào)】：J951
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本文編號(hào)：2141112