【摘要】：中國(guó)鄉(xiāng)土電影傳承著中國(guó)幾千年的傳統(tǒng)文化，承載著各民族和不同地域的歷史和未來(lái)。由于中國(guó)是一個(gè)充滿鄉(xiāng)土氣息的國(guó)度，因而鄉(xiāng)土電影在中國(guó)電影史上始終占有非常重要的地位。尤其是中國(guó)改革開放以來(lái)，在經(jīng)濟(jì)浪潮推動(dòng)現(xiàn)代文明的同時(shí)，人們開始反思自身的生存狀態(tài)，追尋失落的精神家園。此刻鄉(xiāng)土成為人們向往的樂土，人們渴望在這片精神家園中找到安寧與慰藉。然而，進(jìn)入新世紀(jì)后，鄉(xiāng)土電影的勢(shì)頭有所低落。在這樣的背景之下，，鄉(xiāng)土電影如何面對(duì)壓力與挑戰(zhàn)是一個(gè)值得深思的問題。 本論文首先從鄉(xiāng)土及鄉(xiāng)土文化的概念入手，從而界定了鄉(xiāng)土電影的概念。接著對(duì)新時(shí)期以來(lái)中國(guó)鄉(xiāng)土電影的發(fā)展歷程進(jìn)行了梳理。之后重點(diǎn)從中國(guó)地域文化的角度對(duì)鄉(xiāng)土電影進(jìn)行分析，得出了鄉(xiāng)土電影受地域文化影響的同時(shí)也是對(duì)其的傳承與彰顯的結(jié)論。同時(shí)，論文總結(jié)了新時(shí)期以來(lái)中國(guó)鄉(xiāng)土電影的敘事主題，并且闡明了鄉(xiāng)土電影對(duì)中國(guó)傳統(tǒng)文化和民間文化的傳承；分析了鄉(xiāng)土電影中典型的人物形象所代表的文化含義，并從文化的角度總結(jié)出人物語(yǔ)言的特點(diǎn)。 本論文的特點(diǎn)在于將鄉(xiāng)土電影的文本創(chuàng)作本身和發(fā)展歷程相結(jié)合，研讀、梳理、整合前人的研究，并從中國(guó)傳統(tǒng)文化及地域文化的角度挖掘鄉(xiāng)土電影的深層意義，使讀者對(duì)鄉(xiāng)土電影有一個(gè)更加全面的認(rèn)識(shí)和深刻的理解。論文最后對(duì)中國(guó)鄉(xiāng)土電影的困惑提出建議，并試圖為鄉(xiāng)土電影的未來(lái)之路提供一些思考與借鑒。 雖然中國(guó)鄉(xiāng)土電影面臨困境，但我們堅(jiān)信，鄉(xiāng)土電影的將來(lái)會(huì)更好。它必將在多元化的文化世界里獨(dú)樹一幟，向世人展示自己獨(dú)特的價(jià)值與魅力；在不同的文化交流之中，傳遞自己特有的文化氣質(zhì)，譜寫更加輝煌的新篇章。
[Abstract]:The Chinese local film inherits the traditional culture of China for thousands of years and bears the history and future of various nationalities and different regions. As China is a country full of local flavor, local film has always occupied a very important position in the history of Chinese film. Especially since China's reform and opening up, people began to reflect on their living conditions and pursue the lost spiritual homeland while the economic wave promoted modern civilization. At the moment, the country has become a happy place for people to find peace and solace in this spiritual homeland. However, after entering the new century, the momentum of local films is down. Against this background, how to face the pressure and challenge is a problem worth pondering. This paper begins with the concept of local and local culture, and defines the concept of local film. Then the development course of Chinese local film since the new period has been combed. Then from the angle of Chinese regional culture, the author analyzes the local film, and draws the conclusion that the local film is influenced by the regional culture and is also the inheritance and manifestation of the local film. At the same time, the paper summarizes the narrative themes of Chinese local films since the new period, and clarifies the inheritance of local films to Chinese traditional culture and folk culture, and analyzes the cultural meaning represented by the typical characters in the local films. And from the cultural point of view summed up the characteristics of the character language. The characteristic of this thesis is to combine the text creation of the local film with the development course, to study, sort out and integrate the previous studies, and to excavate the deep meaning of the local film from the angle of Chinese traditional culture and regional culture. So that readers have a more comprehensive understanding of the local film and a deep understanding. At the end of the paper, the author puts forward some suggestions on the puzzlement of Chinese local films, and tries to provide some thoughts and references for the future of local films. Although China's local films face difficulties, we firmly believe that the future of local films will be better. It will be unique in the pluralistic cultural world, show the world its unique value and charm, in the different cultural exchanges, transfer their own unique cultural temperament, compose a more brilliant new chapter.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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