TVB職業(yè)劇敘事研究
發(fā)布時(shí)間：2018-07-21 14:08
【摘要】：中國(guó)香港與中國(guó)大陸同屬華夏文明范疇,20世紀(jì)80年代香港電視劇開(kāi)始登陸大陸電視熒幕,國(guó)人欣喜地接受了這種有著共同文化根源的劇集,掀起了一股萬(wàn)人空巷的追劇熱潮。近年來(lái)香港電視劇的生產(chǎn)主要集中于亞洲電視臺(tái)(即“ATV"、“亞視”)和電視廣播有限公司(即“TVB”、“無(wú)線”),經(jīng)過(guò)若干年的發(fā)展和在收視率、市場(chǎng)占有率上的激烈較量,無(wú)線全方面超越亞視,贏來(lái)了一臺(tái)獨(dú)大的時(shí)代,“TVB電視劇”現(xiàn)已儼然成為香港電視劇的代名詞。 隨著都市化進(jìn)程的快速發(fā)展,社會(huì)職業(yè)分工壁壘越來(lái)越明顯,表現(xiàn)都市社會(huì)中人的本性與職業(yè)規(guī)范沖突磨合故事的職業(yè)劇應(yīng)運(yùn)出現(xiàn)在了世界各地的電視熒幕上。TVB職業(yè)劇作為中國(guó)職業(yè)劇的成功典范,自上世紀(jì)90年代以來(lái)廣泛活躍在電視熒幕上�！缎淌聜删儥n案》、《壹號(hào)皇庭》、《妙手仁心》、《陀槍師姐》等經(jīng)典電視劇一經(jīng)播出就引發(fā)了收視狂潮,深受全球華人的喜愛(ài)。然而相較于創(chuàng)作的熱潮,TVB職業(yè)劇在理論研究方面卻差強(qiáng)人意,在中國(guó)期刊網(wǎng)上以其為研究對(duì)象的論文較少,運(yùn)用影視敘事學(xué)理論進(jìn)行研究的更是寥寥無(wú)幾。因此很有必要運(yùn)用影視敘事學(xué)相關(guān)理論研究“TVB職業(yè)劇”的得失,從而對(duì)其今后的創(chuàng)作方向及大陸職業(yè)劇的發(fā)展創(chuàng)新提供一些理論和借鑒。 本文以“TVB職業(yè)劇”為研究對(duì)象,參照影視敘事學(xué)理論,從內(nèi)容敘事和表達(dá)敘事兩個(gè)方面進(jìn)行研究。文章緒論概要地介紹了研究緣起與意義,相關(guān)文獻(xiàn)的梳理為“TVB職業(yè)劇”的研究提供理論參考。第一章通過(guò)對(duì)TVB職業(yè)劇產(chǎn)生、發(fā)展、影響的梳理,系統(tǒng)闡明研究對(duì)象“是什么”；第二章從內(nèi)容敘事方面對(duì)TVB職業(yè)劇的角色形象進(jìn)行分析,創(chuàng)新性地借用角色模式理論解析類型角色,發(fā)現(xiàn)人的本性、職業(yè)規(guī)定性、社會(huì)復(fù)雜性之間的沖突磨合構(gòu)成了故事內(nèi)容；第三章從敘述視點(diǎn)、時(shí)空安排、聲畫(huà)造型三個(gè)方面對(duì)TVB職業(yè)劇的敘事話語(yǔ)展開(kāi)分析,著重從表達(dá)敘事的角度結(jié)合影視特色,聚焦TVB職業(yè)劇對(duì)香港城市意象的表達(dá)。第四章從敘事語(yǔ)境方面對(duì)第二、三章所述特點(diǎn)的成因做出分析,挖掘都市化進(jìn)程中香港職業(yè)劇發(fā)展成熟的內(nèi)在原因；第五章將審思TVB職業(yè)劇的現(xiàn)存問(wèn)題,分析其未來(lái)發(fā)展趨勢(shì),并以它對(duì)大陸職業(yè)劇的發(fā)展關(guān)照作為落腳點(diǎn),提出借他人之長(zhǎng)因地制宜打造中國(guó)特色職業(yè)劇集。 本文從類型化的視角切入,以影視敘事學(xué)相關(guān)理論作為支撐,結(jié)合《刑事偵緝檔案》系列、《法證先鋒》系列、《妙手仁心》系列、《律政新人王》系列、《烈火雄心》系列等職業(yè)劇的文本分析,步步為營(yíng)地探討研究“TVB職業(yè)劇”。從而希冀能夠在職業(yè)題材電視劇研究方面提供更多具有參考價(jià)值和可資借鑒的經(jīng)驗(yàn)。
[Abstract]:Hong Kong, China and mainland China belong to the category of Chinese civilization. In the 1980s, Hong Kong TV series began to land on the mainland television screen. The people of China happily accepted this kind of drama with common cultural roots, and set off a craze of chasing dramas in all walks of life. In recent years, the production of TV dramas in Hong Kong has been mainly concentrated in Asian TV stations (i.e. "ATV", "ATV") and Television broadcasts Limited ("TVB", "Wireless"). After a number of years of development and fierce competition in ratings and market share, Wireless transcends ATV in all aspects and wins an era of Taiwan independence. TVB TV series has become a synonym for Hong Kong TV series. With the rapid development of urbanization, barriers to social and professional division of labor are becoming more and more obvious. Professional drama, which shows the conflict between human nature and professional norms in urban society, should be seen on TV screens all over the world as a successful example of Chinese professional drama. Since the 1990s, it has been widely active on the TV screen. "Criminal investigation File", "the first Emperor's Court", "Miao Hou Ren Xin", "Tuo Gun Shi Sister" and other classic TV dramas have caused the viewing frenzy once they have been broadcast, and have been loved by Chinese people all over the world. However, compared with the craze of creation, the theoretical research of TVB professional drama is far from satisfactory. There are few papers on Chinese periodicals online, and few researches on the theory of film and television narratology. Therefore, it is necessary to use the relevant theories of film and television narratology to study the gain and loss of "TVB professional drama", so as to provide some theory and reference for its future creation direction and the development and innovation of mainland professional drama. Based on the theory of film and television narratology, this paper studies TVB professional drama from two aspects: content narration and expressive narrative. The introduction briefly introduces the origin and significance of the research, and provides a theoretical reference for the study of TVB Professional Drama. The first chapter systematically clarifies the research object "what is" by combing the emergence, development and influence of TVB professional drama, the second chapter analyzes the role image of TVB professional drama from the aspect of content narration. Innovative use of the role model theory to analyze the type of role, found that the conflict between human nature, professional regulation, social complexity constitute the content of the story. Chapter three from the narrative point of view, space-time arrangements, This paper analyzes the narrative discourse of TVB professional drama from three aspects of sound and painting modeling, focusing on the expression of the city image of Hong Kong from the angle of expressing narration combined with film and television features. The fourth chapter analyzes the causes of the characteristics described in the second and third chapters from the perspective of narrative context, and explores the internal reasons for the development and maturity of Hong Kong professional drama in the process of urbanization. Chapter five examines the existing problems of TVB professional drama and analyzes its future development trend. With its concern for the development of professional drama in mainland China, the author puts forward the idea of making professional drama with Chinese characteristics by taking advantage of the advantages of others. This article from the perspective of typology, with the film and television narratology related theory as the support, Combining the text analysis of the series of Criminal investigation Archives, Forensic Pioneer, Miao Hou Ren Xin, the King of New Law, and the series of ambition of Fire, the author discusses the study of "TVB Professional Drama" step by step. Hope to be able to provide more reference and experience in the research of professional TV series.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
[Abstract]:Hong Kong, China and mainland China belong to the category of Chinese civilization. In the 1980s, Hong Kong TV series began to land on the mainland television screen. The people of China happily accepted this kind of drama with common cultural roots, and set off a craze of chasing dramas in all walks of life. In recent years, the production of TV dramas in Hong Kong has been mainly concentrated in Asian TV stations (i.e. "ATV", "ATV") and Television broadcasts Limited ("TVB", "Wireless"). After a number of years of development and fierce competition in ratings and market share, Wireless transcends ATV in all aspects and wins an era of Taiwan independence. TVB TV series has become a synonym for Hong Kong TV series. With the rapid development of urbanization, barriers to social and professional division of labor are becoming more and more obvious. Professional drama, which shows the conflict between human nature and professional norms in urban society, should be seen on TV screens all over the world as a successful example of Chinese professional drama. Since the 1990s, it has been widely active on the TV screen. "Criminal investigation File", "the first Emperor's Court", "Miao Hou Ren Xin", "Tuo Gun Shi Sister" and other classic TV dramas have caused the viewing frenzy once they have been broadcast, and have been loved by Chinese people all over the world. However, compared with the craze of creation, the theoretical research of TVB professional drama is far from satisfactory. There are few papers on Chinese periodicals online, and few researches on the theory of film and television narratology. Therefore, it is necessary to use the relevant theories of film and television narratology to study the gain and loss of "TVB professional drama", so as to provide some theory and reference for its future creation direction and the development and innovation of mainland professional drama. Based on the theory of film and television narratology, this paper studies TVB professional drama from two aspects: content narration and expressive narrative. The introduction briefly introduces the origin and significance of the research, and provides a theoretical reference for the study of TVB Professional Drama. The first chapter systematically clarifies the research object "what is" by combing the emergence, development and influence of TVB professional drama, the second chapter analyzes the role image of TVB professional drama from the aspect of content narration. Innovative use of the role model theory to analyze the type of role, found that the conflict between human nature, professional regulation, social complexity constitute the content of the story. Chapter three from the narrative point of view, space-time arrangements, This paper analyzes the narrative discourse of TVB professional drama from three aspects of sound and painting modeling, focusing on the expression of the city image of Hong Kong from the angle of expressing narration combined with film and television features. The fourth chapter analyzes the causes of the characteristics described in the second and third chapters from the perspective of narrative context, and explores the internal reasons for the development and maturity of Hong Kong professional drama in the process of urbanization. Chapter five examines the existing problems of TVB professional drama and analyzes its future development trend. With its concern for the development of professional drama in mainland China, the author puts forward the idea of making professional drama with Chinese characteristics by taking advantage of the advantages of others. This article from the perspective of typology, with the film and television narratology related theory as the support, Combining the text analysis of the series of Criminal investigation Archives, Forensic Pioneer, Miao Hou Ren Xin, the King of New Law, and the series of ambition of Fire, the author discusses the study of "TVB Professional Drama" step by step. Hope to be able to provide more reference and experience in the research of professional TV series.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 魏硯雨;;對(duì)《僵尸新娘》中角色形象設(shè)計(jì)的探究[J];文教資料;2013年36期
2 傅小朋;陳志強(qiáng);蔡招娣;;華語(yǔ)影視作品中記者角色形象的塑造[J];新聞愛(ài)好者;2011年19期
3 吳白雨;;從感性分析到創(chuàng)意設(shè)計(jì)——記釜池光夫教授的動(dòng)漫角色形象設(shè)計(jì)課程[J];設(shè)計(jì)藝術(shù)(山東工藝美術(shù)學(xué)院學(xué)報(bào));2011年01期
4 杜江;;表演藝術(shù)創(chuàng)作中的角色形象構(gòu)思[J];四川戲劇;2014年05期
5 高旋;;論CG角色創(chuàng)作中的情感因素[J];才智;2009年04期
6 羅玲鑫;任燕;;淺析角色形象設(shè)計(jì)在影片中的重要性[J];群文天地;2012年24期
7 蔣玲;;淺析角色的創(chuàng)作[J];劇影月報(bào);2008年02期
8 滕云;;動(dòng)畫(huà)中的角色形象和價(jià)值[J];電影文學(xué);2009年19期
9 孟芙蓉;;形象與自我——塑造舞臺(tái)人物的一點(diǎn)心得[J];劇影月報(bào);2010年01期
10 葉s，
本文編號(hào)：2135779
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2135779.html
最近更新
教材專著
