“惡”的反復與節(jié)制——北野武電影中的救贖
發(fā)布時間:2018-07-18 14:40
【摘要】:正1989年,北野武自導自演的《兇暴的男人》一舉斬獲了當年日本電影獎的多項最佳獎項,對北野武影片的高度定位也產(chǎn)生了重要的影響。北野武的電影雖然很悶但卻具有極強的爆發(fā)力,極端化的人物性格配上詭異的走路姿勢使得觀眾無法與之共鳴,甚至可以說,影片中的主人公眼中往往呈現(xiàn)的是一種對現(xiàn)實世界的絕望和痛恨。自身的理想和現(xiàn)實的沖擊使人物的性格有著重大的缺陷,面對不公的事情主人公往往選擇付諸暴力,而這種暴力的表達卻
[Abstract]:In 1989, Takeshi Kitano's "violent Man" won a number of best awards in the Japanese Film Awards in one fell swoop, which also had an important impact on the height orientation of Kitano's films. Although the Kitano movie is very boring, it is extremely explosive. The extreme character and strange walking posture make the audience unable to resonate with it, or even say. The protagonist in the film often presents a kind of despair and hatred to the real world. Their own ideals and the impact of the reality of the character has a major defect, faced with unfair things the protagonist often choose to use violence, but the expression of such violence
【作者單位】: 韶關學院外語學院;
本文編號:2132221
[Abstract]:In 1989, Takeshi Kitano's "violent Man" won a number of best awards in the Japanese Film Awards in one fell swoop, which also had an important impact on the height orientation of Kitano's films. Although the Kitano movie is very boring, it is extremely explosive. The extreme character and strange walking posture make the audience unable to resonate with it, or even say. The protagonist in the film often presents a kind of despair and hatred to the real world. Their own ideals and the impact of the reality of the character has a major defect, faced with unfair things the protagonist often choose to use violence, but the expression of such violence
【作者單位】: 韶關學院外語學院;
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,本文編號:2132221
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