【摘要】：文化是電影創(chuàng)作的根基,透過一部電影能夠看到創(chuàng)作者所處時代的精神面貌與文化環(huán)境。同時代的電影都有相似的文化理想訴求,最終匯聚成集體的聲音時常反作用于文化。電影《紐約紐約》是以20世紀(jì)90年代上海"出國熱"為背景的愛情片,深刻反思了"出國熱"對人們精神和思想的扭曲,以及以美國為代表的西方世界和西方文化對中國的"文化侵略"。該片以歷史比照現(xiàn)在,在文化全球化日趨深入的今天,尤其具有現(xiàn)實意義和審美價值。
[Abstract]:Culture is the foundation of film creation. Contemporary films have similar cultural aspirations, and eventually converge into a collective voice that often counteracts to culture. The film "New York" is a love story based on Shanghai's "going abroad fever" in the 1990s. It deeply reflects on the distortion of people's spirit and thought caused by "going abroad fever". And the "cultural aggression" of the Western world and Western culture against China, represented by the United States. Comparing the history with the present, the film has practical significance and aesthetic value in today's cultural globalization.
【作者單位】： 廣西建設(shè)職業(yè)技術(shù)學(xué)院;
【分類號】：J901
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本文編號：2128510