【摘要】：類型化角色的概念最早出現(xiàn)在戲劇創(chuàng)作中，而后在影視作品里被廣泛應(yīng)用。動畫中的類型化角色并不少見，甚至是作為塑造角色的主要手法。這和動畫的受眾群體以及商業(yè)需求脫不開關(guān)系。類型化角色的塑造在日本動畫中已有較為完善的體系，，反觀中國動畫在這方面則略為薄弱。然而，近兩年中國的網(wǎng)絡(luò)媒體動畫在類型化角色體系形成方面卻有了較大的進步。 本文首先解釋類型化角色的概念及由來，其次從已有作品中選擇和組織信息，來闡述類型化角色在中日兩國動畫中的發(fā)展現(xiàn)狀，最后通過行動研習(xí)，提出如何結(jié)合中國文化來創(chuàng)造類型化角色體系,并在項目中加以應(yīng)用實踐。
[Abstract]:The concept of typologized role first appeared in drama creation, and then was widely used in film and television works. Types of characters in animation are not uncommon, even as the main means of shaping characters. This and animation audience and business needs can not be separated from the relationship. The modeling of typed characters has a relatively perfect system in Japanese animation, but the Chinese animation is weak in this respect. However, in the past two years, China's network media animation has made great progress in the formation of typed character system. This paper first explains the concept and origin of typologized characters, then from the existing works to select and organize information to explain the development of typed characters in animation between China and Japan, finally through action study. This paper puts forward how to combine Chinese culture to create typological role system and put it into practice.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

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