【摘要】：當(dāng)今，“山寨”行為充斥著各個領(lǐng)域。在影視領(lǐng)域，，我國電視劇對國外電視劇的“山寨”行為也較為明顯。由于其“草根性”及缺乏原創(chuàng)性，不少人對“山寨”現(xiàn)象嗤之以鼻。然而，“山寨”誕生于當(dāng)今社會，必然與當(dāng)今社會環(huán)境、經(jīng)濟環(huán)境、人文環(huán)境有著密切聯(lián)系�！吧秸毙袨槭钱�(dāng)今經(jīng)濟、科技、文化等多種要素共同作用的產(chǎn)物。它的產(chǎn)生有著一定的合理性，符合事物發(fā)展的客觀規(guī)律。同時，全球化進(jìn)程加速的今天，電視劇作為大眾文化的產(chǎn)物，隨著大眾的融合而融合也是一種必然趨勢。 通過對“山寨”行為的認(rèn)識和梳理，對美劇存在“山寨”行為的國產(chǎn)電視劇的整理，客觀地闡述了國產(chǎn)電視劇“山寨”美劇的現(xiàn)狀，包括對國產(chǎn)電視劇在使用“山寨”這一手段謀求發(fā)展的過程中所面臨的問題的梳理。分別將國產(chǎn)電視劇與美劇看作主體與客體，對國產(chǎn)電視劇“山寨”美劇的原因進(jìn)行了闡述。運用敘事學(xué)相關(guān)理論從藝術(shù)創(chuàng)作與文化兩個角度出發(fā)，將國產(chǎn)“山寨”電視劇與美劇進(jìn)行比較、分析，論述了國產(chǎn)“山寨”電視劇與美劇在文化和藝術(shù)創(chuàng)作上的異同。最后，根據(jù)各界人士對電視劇“山寨”行為的評價，為國產(chǎn)電視劇的“山寨”行為提出建議。 在電視劇領(lǐng)域，“山寨”作為一種手段，其存在必然有其合理性。“山寨”為我國電視劇帶來的是國際化的信息，是時代的潮流而不是終極手段。就“山寨”的本質(zhì)而言，模仿和借鑒始終不是國產(chǎn)電視劇發(fā)展的最終方式。對“山寨”的創(chuàng)新及升華，并將中國特色融入其中應(yīng)視為國產(chǎn)電視劇的主要發(fā)展方向。
[Abstract]:Nowadays, shanzhai behavior is full of various fields. In the field of film and television, Chinese TV plays are more obvious to foreign TV plays'shanzhai 'behavior. Because of its "grass roots" and lack of originality, many people scoff at the phenomenon of "shanzhai". However, shanzhai is born in today's society and must be closely related to social environment, economic environment and humanistic environment. Shanzhai behavior is the product of various factors such as economy, science and technology, culture and so on. Its production has certain rationality, accords with the objective law of the development of things. At the same time, with the acceleration of globalization today, TV plays as a product of popular culture, with the integration of the masses is also an inevitable trend. Through understanding and combing the behavior of "shanzhai", and sorting out the domestic TV dramas in which there is "shanzhai" behavior in American dramas, this paper objectively expounds the present situation of the domestic TV drama "Shanzhai". Including the domestic TV series in the use of "Shanzhai" means of development in the process of facing the comb. Taking domestic TV dramas and American dramas as the subject and object respectively, this paper expounds the reasons for the domestic TV drama Shanzhai. Based on the theory of narratology, this paper compares domestic "Shanzhai" TV series with American TV drama from two angles of artistic creation and culture, and discusses the similarities and differences between domestic "Shanzhai" TV dramas and American dramas in culture and artistic creation. Finally, according to the evaluation of Shanzhai TV series, some suggestions are put forward. In the field of TV series, Shanzhai as a means, its existence must have its rationality. Shanzhai brings international information to Chinese TV series, which is the trend of the times rather than the ultimate means. As far as the nature of Shanzhai is concerned, imitation and reference are not the final way to develop domestic TV series. The innovation and sublimation of "Shanzhai" and the integration of Chinese characteristics into it should be regarded as the main developing direction of domestic TV series.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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