【摘要】：荻上直子、松岡錠司和森淳一三位導演的系列作品都能給人帶來平靜和舒適之感,他們的電影在談美食與風景中見人性、見宇宙、見普世性。美食與風景既符合又超越了"食色性也"的境界,又都屬于"物自體",是可見之物。其中折射了日本的"物哀"文化,只為消愁解悶、尋求慰藉而沒有任何其他功用的或?qū)嵗哪康?與"無目的的合目的性"一致,既保持了自然的人性,又體現(xiàn)了良好的情感教養(yǎng),具有貴族般的超然與優(yōu)雅,既富有風流雅趣,又彰顯形而上之"道"。
[Abstract]:The series by Naoko Ogiko, Matsuoka and Sunsoon all bring a sense of peace and comfort. Their films see humanity, the universe, and universalism in the discussion of food and scenery. Food and scenery not only accord with and transcend the realm of "food and color", but also belong to "self" and are visible things. It reflects the Japanese culture of "object mourning", seeking solace and solace without any other purpose, consistent with "aimless purpose", and maintaining the nature of human nature. It also embodies a good emotional upbringing, with aristocratic detachment and elegance, both rich in romantic elegance, but also show metaphysical "Tao".
【作者單位】： 北京電影學院電影學系;
【分類號】：J905
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本文編號：2123933