本文選題：《母親的樹》 + 磯村一路　； 參考：《電影文學(xué)》2017年06期

【摘要】：優(yōu)秀的戰(zhàn)爭(zhēng)電影在再現(xiàn)歷史風(fēng)云的同時(shí),始終充溢著對(duì)人的情感、人的權(quán)益的關(guān)注。磯村一路執(zhí)導(dǎo)的《母親的樹》,是當(dāng)代日本戰(zhàn)爭(zhēng)電影中的佳作。電影中并沒有宏大的戰(zhàn)爭(zhēng)場(chǎng)面,但是卻以潤物細(xì)無聲的方式揭露了戰(zhàn)爭(zhēng)的殘酷無情,體現(xiàn)了人性在戰(zhàn)爭(zhēng)這一特殊背景下的黯淡與光芒、卑微與偉大。文章從電影對(duì)人性訴求的彰顯、對(duì)扭曲人性的社會(huì)體系的反思、非戰(zhàn)斗人員與人性閃光點(diǎn)的刻畫三方面,分析影片的人性書寫。
[Abstract]:The excellent war film, while reproducing the historical situation, always pays attention to the human emotion and the human rights and interests. The Mother's Tree, directed along the way, is a masterpiece in contemporary Japanese war films. There is no grand war scene in the film, but it reveals the ruthlessness of the war in a silent way, and reflects the dim and light, humble and great of human nature in the special background of war. This paper analyzes the writing of human nature in the film from three aspects: the manifestation of the demand for human nature, the reflection of the social system which distorts human nature, and the depiction of non-combatant persons and the bright spots of human nature.
【作者單位】： 安陽師范學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2095912