本文選題：日據(jù)想象 + 殖民��； 參考：《華文文學(xué)》2017年01期

【摘要】：本文以同為表達(dá)臺(tái)灣"日據(jù)經(jīng)驗(yàn)"的小說(shuō)《風(fēng)前塵埃》和電影《KANO》為討論對(duì)象,期待透過(guò)二者著力之"寫(xiě)真"與"棒球"意向,看見(jiàn)不同創(chuàng)作主體,不同媒介方式呈現(xiàn)出的日據(jù)時(shí)代。嘗試?yán)斫庑≌f(shuō)和電影對(duì)殖民的機(jī)制與本質(zhì)的思考,分析作為不同世代不同立場(chǎng)的創(chuàng)作者,兩部作品在內(nèi)在精神理路上的異同,看到作品與歷史與時(shí)代的對(duì)話(huà),并對(duì)作品中流露出的問(wèn)題加以思考和批判。
[Abstract]:This paper takes the novel "Dust before the Wind" and the film "Kano" as the object of discussion, and looks forward to seeing different creative subjects through their intention of "portraiture" and "Baseball". Different media presented the Japanese occupation era. This paper tries to understand the thinking of the mechanism and essence of colonization in novels and films, analyzes the similarities and differences between the two works on the inner spiritual path as creators of different generations and different positions, and sees the dialogue between works and history and times. And the problems revealed in the works to be reflected in the thinking and criticism.
【作者單位】： 中國(guó)社會(huì)科學(xué)院研究生院文學(xué)系;
【分類(lèi)號(hào)】：I207.42;J905
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本文編號(hào)：2081955