本文選題：《請(qǐng)叫我英雄》 + 佐藤信介��； 參考：《電影文學(xué)》2017年22期

【摘要】：隨著游戲、漫畫影視化進(jìn)程的加快,喪尸電影近年來逐漸成為驚悚電影中的新寵�！渡C(jī)》《釜山行》等都是喪尸電影中的佳作。佐藤信介執(zhí)導(dǎo)的《請(qǐng)叫我英雄》同屬于喪尸電影,影片在恐怖特效上亦是可圈可點(diǎn)的,但其審美價(jià)值遠(yuǎn)遠(yuǎn)不止在于視覺特效制作和漫畫影像化上。影片的特色在于其對(duì)日本社會(huì)的觀察和調(diào)侃上。文章從"逆社會(huì)化"生活、生存壓力與社會(huì)癥結(jié)、集體主義下的個(gè)人主義三方面,分析《請(qǐng)叫我英雄》對(duì)日本社會(huì)現(xiàn)實(shí)的觀照。
[Abstract]:With the games and the quickening process of comics and film and television, zombie films have gradually become the new favorite in thriller films in recent years. < biochemical crisis > < Busan line > are all the best works in zombie films. "Please call me hero > belong to the zombie film, and the film is also a scary special effect in horror, but its aesthetic value is far more than one." The feature lies in the visual effect production and comic image. The feature of the film lies in its observation and ridicule to the Japanese society. From the three aspects of the "anti socialized" life, the survival pressure and the social crux and the individualism under collectivism, the article analyzes the "please call me hero > the social reality of Japan".
【作者單位】： 包頭醫(yī)學(xué)院;
【分類號(hào)】：J905

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