本文選題：《大明劫》 + 敘事��； 參考：《電影文學》2017年18期

【摘要】：王競執(zhí)導的獨立電影《大明劫》,可以視作一部導演有意識運用隱喻的范例。影片在市場上受挫,很大程度上源于其被詬病為"電視電影"的制作特色,而電影就劇本而言則是應該給予肯定的。在視覺畫面以及人物的簡要對話中,導演隱藏了深層意涵和價值觀念,電影劇情看似簡單,沖突感不強,但正因隱喻的存在,使得電影的厚度得到增強,擁有一種觸動觀眾心靈的強大力量�！洞竺鹘佟返碾[喻敘事可大致分為人物隱喻、情節(jié)隱喻、細節(jié)隱喻。
[Abstract]:Wang Jing's independent film, Daming robbery, can be seen as an example of a director's conscious use of metaphor. The film market setback is largely due to its criticism of "TV movies," which should be affirmed in terms of screenplays. In the visual picture and the brief dialogue of the characters, the director hides the deep meaning and the value idea, the movie plot appears to be simple, the conflict feeling is not strong, but because of the existence of metaphor, the film thickness is enhanced. The metaphorical narration of "Daming robbery" can be divided into three parts: character metaphor, plot metaphor and detail metaphor.
【作者單位】： 鄭州工業(yè)應用技術學院;
【分類號】：J905
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本文編號：2070759