本文選題：紀(jì)錄片 + 《堅守與變革——兩位皮影戲傳承人的故事》�。� 參考：《昆明理工大學(xué)》2017年碩士論文

【摘要】：我國非物質(zhì)文化遺產(chǎn)作為我國人們世代相傳的,與人民群眾生活密切相關(guān)的各種傳統(tǒng)文化表現(xiàn)形式,是歷史發(fā)展的見證,也是中華民族智慧與文明的結(jié)晶。但當(dāng)前,在各種現(xiàn)代文化樣式的沖擊下,我國許多依靠口口相傳和行為傳承的非物質(zhì)文化遺產(chǎn)正瀕臨消亡。因此,采取有效的方式來保護和傳承非物質(zhì)文化遺產(chǎn)刻不容緩。紀(jì)錄片具有獨特的表現(xiàn)方式、傳播方式,具有較大的傳播力和廣泛的影響力,是促進非物質(zhì)文化遺產(chǎn)保護和傳承的一種很好的藝術(shù)手段。皮影戲是我國民間工藝美術(shù)與戲曲巧妙結(jié)合的產(chǎn)物,在世界上享有電影“開山之祖”的美譽。據(jù)考證,華縣皮影戲起源于漢代,盛行于唐宋,鼎盛于明清,它不僅被稱為中國皮影的“活化石”,還被譽為“中華一絕”,是我國非物質(zhì)文化遺產(chǎn)的代表之一。紀(jì)錄片《堅守與變革——兩位皮影戲傳承人的故事》以非物質(zhì)文化遺產(chǎn)——華縣皮影戲傳承人為拍攝對象,通過紀(jì)錄片的形式,從一個側(cè)面對華縣皮影戲的現(xiàn)狀、傳承與發(fā)展等進行紀(jì)錄和反映,希望引起政府和社會對華縣皮影戲的關(guān)注和重視。論文對紀(jì)錄片《堅守與變革——兩位皮影戲傳承人的故事》的創(chuàng)作過程,主要包括前期策劃和準(zhǔn)備、中期拍攝、后期制作等進行了介紹,對器材的選取、拍攝對象的選取、拍攝場景和角度的選取以及剪輯方法等進行了闡釋,對創(chuàng)作過程中獲得的啟示和積累的經(jīng)驗進行了總結(jié),對創(chuàng)作過程中發(fā)現(xiàn)的問題和作品存在的不足也進行了反思,是對紀(jì)錄片《堅守與變革——兩位皮影戲傳承人的故事》的創(chuàng)作進行了一個比較全面而又簡明扼要的闡述,有利于作者創(chuàng)作水平和創(chuàng)作能力的提高。
[Abstract]:China's intangible cultural heritage, as a traditional cultural expression closely related to the life of the people, is the witness of historical development and the crystallization of the wisdom and civilization of the Chinese nation. But at present, under the impact of various modern cultural styles, many intangible cultural heritages which rely on word of mouth and behavior are on the verge of extinction. Therefore, it is urgent to take effective ways to protect and inherit intangible cultural heritage. Documentary film has a unique way of expression, communication, with a large communication power and extensive influence, is to promote the protection and inheritance of intangible cultural heritage is a very good artistic means. Shadow play is the product of the skillful combination of folk arts and crafts and opera, and enjoys the reputation of "the ancestor of the Mountain opening" in the world. According to the textual research, the shadow play of Huaxian originated in the Han Dynasty, prevailed in the Tang and Song dynasties, and flourished in the Ming and Qing dynasties. It is not only called the "living fossil" of the Chinese shadow, but also known as "the absolute of China", and is one of the representatives of the intangible cultural heritage of our country. The documentary film "stick to and change-the stories of the two inheritors of shadow play" takes the intangible cultural heritage-Huaxian shadow opera inheritor as the object of filming. Through the form of documentary, the present situation of the shadow play in Huaxian is analyzed from one side. Inheritance and development are recorded and reflected in the hope that the government and society will pay attention to shadow play in Huaxian. The paper introduces the creation process of documentary film "stick to and change-the stories of the two Shadow Drama inheritors", mainly including early planning and preparation, mid-term shooting, post-production and so on. It also introduces the selection of equipment, the selection of shooting objects, etc. The selection of shooting scene and angle as well as the editing method are explained, the enlightenment and accumulated experience gained in the process of creation are summarized, the problems found in the process of creation and the shortcomings of the works are also reflected. It is a comprehensive and concise exposition on the creation of documentary film "stick to and change-the stories of the two Shadow Drama inheritors", which is beneficial to the improvement of the author's creative level and creative ability.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J952

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本文編號：2068816