本文選題：跨媒體時(shí)代 + 中國動(dòng)畫藝術(shù)形態(tài)　； 參考：《武漢紡織大學(xué)》2014年碩士論文

【摘要】：在國際媒體產(chǎn)業(yè)轟轟烈烈發(fā)展以及經(jīng)濟(jì)全球化的背景下，中國人對媒體的探討日益激烈。當(dāng)代是一個(gè)跨媒體時(shí)代，各種傳播媒體并存，在這一特殊時(shí)代，，中國應(yīng)當(dāng)抓住這一機(jī)遇，通過媒體的改革和融合打造自己的傳媒航母。在這樣一個(gè)媒體環(huán)境下，中國動(dòng)畫作為大眾傳播的內(nèi)容之一，其藝術(shù)形態(tài)會出現(xiàn)何種變化及趨勢？ 在跨媒體時(shí)代，動(dòng)畫藝術(shù)形態(tài)直接或間接地受這個(gè)時(shí)代的影響，并發(fā)生著改變。本文以動(dòng)畫藝術(shù)形態(tài)的轉(zhuǎn)變和發(fā)展趨勢為主線，借助于媒體的發(fā)展這一暗線，展開了全文的整體思路。在此基礎(chǔ)上，還涉及到傳統(tǒng)媒體和中國傳統(tǒng)文化對于動(dòng)畫藝術(shù)形態(tài)的影響；跨媒體時(shí)代創(chuàng)作者的觀念、觀眾欣賞習(xí)慣的轉(zhuǎn)變與動(dòng)畫藝術(shù)形態(tài)的轉(zhuǎn)變間的關(guān)系；跨媒體導(dǎo)致的中國動(dòng)畫表現(xiàn)形式由純粹的影視藝術(shù)向廣泛的應(yīng)用領(lǐng)域的擴(kuò)展；國內(nèi)外動(dòng)畫藝術(shù)形態(tài)發(fā)展現(xiàn)狀的比較；中國動(dòng)畫藝術(shù)形態(tài)的發(fā)展趨勢以及對它的未來展望等等相關(guān)研究，所涵蓋的范圍比較寬泛，有利于從跨媒體時(shí)代的多層面對中國動(dòng)畫藝術(shù)形態(tài)進(jìn)行分析。 多種動(dòng)畫藝術(shù)形態(tài)并存，它們應(yīng)該如何相處、如何發(fā)展，才能達(dá)到動(dòng)畫本身的目的，才能真正滿足大眾的生活和審美需求，正是本文討論的問題。關(guān)于跨媒體時(shí)代和動(dòng)畫藝術(shù)形態(tài)之間的關(guān)系，有很多值得深入研究的地方。對于動(dòng)畫藝術(shù)形態(tài)發(fā)展的未來，我們是不可預(yù)估的，但是可以通過媒體的發(fā)展和技術(shù)的進(jìn)步引導(dǎo)動(dòng)畫藝術(shù)形態(tài)的發(fā)展方向。從媒體的發(fā)展這一角度出發(fā)，對中國動(dòng)畫藝術(shù)形態(tài)的形成、轉(zhuǎn)變和發(fā)展進(jìn)行研究，相信可以獲得一個(gè)全新的視角。
[Abstract]:With the rapid development of the international media industry and the globalization of economy, the discussion of the media in China is becoming more and more intense. In this special era, China should seize this opportunity and build its own media carrier through media reform and integration. In such a media environment, as one of the content of mass communication, what changes and trends will appear in the artistic form of Chinese animation? In the cross-media era, animation art form is directly or indirectly affected by this era, and is changing. This paper takes the transformation and development trend of animation art as the main line, with the aid of the dark line of media development, develops the whole idea of the full text. On this basis, it also involves the influence of traditional media and Chinese traditional culture on the form of animation art, the relationship between the ideas of creators in cross-media times, the change of audience appreciation habits and the transformation of animation art forms. The cross-media form of Chinese animation from pure film and television art to a wide range of applications, animation art form at home and abroad to compare the development of the status quo; The development trend of Chinese animation art form and its future prospects and other related studies, which covers a broad range, is conducive to the cross-media era of multi-level analysis of Chinese animation art form. Many kinds of animation art forms coexist, how they should get along with, how to develop, can achieve the purpose of animation itself, in order to truly meet the life and aesthetic needs of the public, is the issue discussed in this paper. About cross-media era and the relationship between animation art form, there are many worthy of in-depth study. For the future of the development of animation art, we can not predict, but we can guide the development direction of animation art form through the development of media and technology. From the point of view of the development of media, this paper studies the formation, transformation and development of the form of Chinese animation art, and believes that a new angle of view can be obtained.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

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