本文選題：侯孝賢 + 胡蘭成　； 參考：《華文文學(xué)》2017年03期

【摘要】：侯孝賢在朱天文等當(dāng)年“三三文學(xué)社”成員的影響下,對(duì)胡蘭成及其美學(xué)有較為深刻的理解和認(rèn)同,他的電影美學(xué)隱藏著胡蘭成的美學(xué)基因。他電影中的自然景觀以及冷眼旁觀的敘事手法遵從了大自然“五基本法則”;胡蘭成所謂“喜反與好玩”,表現(xiàn)在侯孝賢身上就是“黑道情懷”、“俠義情結(jié)”與“士”的觀念,也成為他與眾不同的創(chuàng)造力。侯孝賢重視女人的“直覺”、“美感”,逐漸關(guān)注女性內(nèi)心,塑造了不少充滿了元?dú)馀c生命力的女性形象。他的電影也如胡蘭成的散文一樣,散淡而富有韻味,體現(xiàn)和發(fā)揚(yáng)了中國的抒情傳統(tǒng)。
[Abstract]:Hou Hsiao-hsien had a deep understanding and approval of Hu Lancheng and his aesthetics under the influence of Zhu Jian and other members of the third and third Literature Society. His film aesthetics hides Hu Lancheng's aesthetic genes. The natural landscape in his films and his indifferent narrative techniques follow the "five basic principles" of nature; Hu Lancheng's so-called "love for the opposite and fun" is manifested in Hou Hsiao-hsien 's "mafia feelings." The concept of chivalrous complex and scholar also became his unique creativity. Hou Xiaoxian pays attention to the woman's intuition and aesthetic feeling, and gradually pays attention to the woman's heart, and molds a lot of female images full of vitality and vitality. His films, like Hu Lancheng's prose, are scattered and full of charm, embodying and developing Chinese lyric tradition.
，

本文編號(hào)：2060836