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電視劇《瑯琊榜》的傳奇設(shè)置研究

發(fā)布時(shí)間:2018-06-23 00:30

  本文選題:《瑯琊榜》 + 非常人人物; 參考:《南京航空航天大學(xué)》2017年碩士論文


【摘要】:近年來(lái),傳奇電視劇的制作數(shù)量不斷上升,并獲得了較高的關(guān)注和收視,這類電視劇通過(guò)離奇的情節(jié)、傳奇的人物為觀眾呈現(xiàn)出一個(gè)個(gè)動(dòng)人的傳奇故事。充滿傳奇色彩的故事迎合了當(dāng)下觀眾的審美趣味,也反映了觀眾審美需求的變化,使傳奇劇的類型化程度越來(lái)越高。在電視劇創(chuàng)作中以影像化的方式,不斷提升著“傳奇”的價(jià)值與意義。古裝傳奇劇《瑯琊榜》通過(guò)具有傳奇色彩的故事,贏得超高的收視和口碑,在人物設(shè)置、場(chǎng)景設(shè)置等方面對(duì)傳奇劇的敘事皆有可借鑒之處。本文主要以古裝傳奇劇《瑯琊榜》為主,分別從非常人的人物設(shè)置、非現(xiàn)實(shí)的情節(jié)設(shè)置、非真實(shí)的場(chǎng)景設(shè)置以及隱喻題旨四個(gè)方面,試圖總結(jié)當(dāng)下傳奇電視劇的敘事方式和創(chuàng)作規(guī)律。通過(guò)研究發(fā)現(xiàn),首先,在傳奇劇中通過(guò)人物可再生的生命軌跡、異于常人的人物行為能力和復(fù)仇的行為動(dòng)因等來(lái)塑造出具有非常人的奇人異士,以人物的傳奇性增加故事的傳奇色彩;其次,通過(guò)“無(wú)巧不成書”的高頻巧合設(shè)置、反向鴻溝式的情節(jié)推進(jìn)、層層嵌套的懸念設(shè)置、出其不意的情節(jié)突轉(zhuǎn)、話本敘事時(shí)序的沿襲等方式,可以講述出節(jié)節(jié)生奇、層層生險(xiǎn)的傳奇故事;再次,通過(guò)場(chǎng)景的架空和虛構(gòu),為傳奇故事的展開提供了更大的敘事空間,以及古裝傳奇劇在架空的歷史中同樣注重“時(shí)空結(jié)”的選擇和場(chǎng)景意境的創(chuàng)設(shè);最后,在傳奇劇中不僅注重情節(jié)的離奇、人物的傳奇,也蘊(yùn)含著中國(guó)傳統(tǒng)美學(xué)精神,形成一種傳奇審美,中國(guó)傳統(tǒng)美學(xué)精神的彰顯也提升著傳奇劇的意義和價(jià)值。
[Abstract]:In recent years, the production of legendary TV series has been increasing, and has gained high attention and ratings. Through the strange plot, the legendary characters present a moving story for the audience. The legendary story caters to the aesthetic taste of the audience and reflects the change of the audience's aesthetic demand, which makes the style of the legendary drama more and more high. In the process of TV drama creation, the value and significance of Legend are constantly promoted. The legendary costume drama "Langya Bang" can be used for reference in the aspects of character setting, scene setting and so on, through the story with legendary color, winning super high ratings and word-of-mouth. This article mainly takes the ancient costume legendary drama Langya Bang as the main part, from four aspects of the character setting, the non-realistic plot setting, the unreal scene setting and the metaphorical theme, respectively. This paper tries to summarize the narrative mode and creation law of the current legendary TV series. Through the research, first of all, through the characters' reborn life track, the character's ability to act and the motive of revenge in the legend play, we can create the strange man and the wrong person with the unusual person. The legend of the story is increased by the legendary nature of the characters; secondly, through the high-frequency coincidence setting of "nothing happens to be a book," the plot advances with a reverse gulf, the suspense settings of the layers of nesting, the unexpected plot turns suddenly, The succession of narrative sequence in this novel can tell the legendary stories which are strange and dangerous. Thirdly, through the aerial and fictional of the scenes, it provides a greater narrative space for the development of the legendary stories. And the legendary drama of ancient clothes also pays attention to the choice of "time and space knot" and the creation of scene artistic conception in the overhead history. Finally, the legendary drama not only pays attention to the bizarre plot and the legend of characters, but also contains the spirit of traditional Chinese aesthetics. Forming a legendary aesthetic, the Chinese traditional aesthetic spirit also promotes the significance and value of legendary drama.
【學(xué)位授予單位】:南京航空航天大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J905

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