本文選題：中國西部電影 + 空間敘事��； 參考：《重慶工商大學》2017年碩士論文

【摘要】：中國西部電影是中國電影上重要的電影文化研究范式,它在中國電影史上的輝煌與成就,一直為人津津樂道。進入新世紀以來的西部電影無論是敘事模式還是敘事主題、敘事風格上都發(fā)生了重大變化,尤其是敘事模式上,西部電影越來越重視空間在電影敘事中的作用,這跟社會學科空間轉(zhuǎn)向的大背景有緊密關(guān)聯(lián)。在空間轉(zhuǎn)向的研究背景下,電影敘事也出現(xiàn)了空間轉(zhuǎn)向,電影敘事無論是從形式上、內(nèi)容上都表現(xiàn)出了空間轉(zhuǎn)向的趨勢,比如拼貼式敘事、時空套層敘事的出現(xiàn),都打破了以往線性敘事的模式,空間承載了更多的文化意義。就電影空間敘事而言,空間成為電影敘事的主體,成為文本的中心,空間與時間一起建構(gòu)著電影敘事,空間不再是時間的配角�？臻g敘事中,我們有必要理清敘事空間與空間敘事的概念,空間敘事與敘事空間是兩個不同的概念,敘事空間指的是由電影創(chuàng)作者根據(jù)自身對故事的主觀理解進行選擇、再創(chuàng)作之后,借助各種媒介進行放映,呈現(xiàn)在電影熒幕上的聲畫空間�？臻g敘事包括兩方面的含義:一方面,創(chuàng)作者根據(jù)劇情需要對故事空間進行選取通過場面調(diào)度、景別的選擇、剪輯等方式將敘事空間呈現(xiàn)出來,形成一部電影的敘事空間;另一方面,空間本身與敘事有密不可分的關(guān)系,敘事空間自身帶有敘事特性,敘事空間的創(chuàng)作也對故事中的人物、情節(jié)等元素產(chǎn)生影響。在中國西部電影的敘事中,空間的作用愈加明顯,尤其是在西部電影的新探索中,空間在敘事中發(fā)揮著越來越多的功能,比如空間成為故事的線索,空間推動故事情節(jié)的發(fā)展,成為其依據(jù),空間也成為敘事結(jié)構(gòu)的一部分,空間組織的不同方式建構(gòu)著電影敘事結(jié)構(gòu)。西部電影的空間敘事也蘊含著深刻的文化內(nèi)涵,它承載著時代記憶,記錄著時代的發(fā)展,尤其是大眾文化時代的發(fā)展,也深刻展現(xiàn)著當下人的生活體驗。研究2000年以后的西部電影的空間敘事,是探尋西部電影發(fā)生的重大變化,并且從西部電影的空間敘事中探尋其文化內(nèi)涵。
[Abstract]:The western film of China is an important research paradigm of Chinese film culture, and its brilliance and achievement in the history of Chinese film has always been talked about with relish by people. In the new century, no matter the narrative mode or the narrative theme, the narrative style of the western movies has changed greatly, especially in the narrative mode, the western movies pay more and more attention to the role of space in the film narrative. This is closely related to the background of the spatial turn of social sciences. Under the background of the research of spatial turn, the film narrative has also appeared the spatial turn. The film narrative shows the trend of space turning in both form and content, such as collage narrative, space-time narration. Both break the previous linear narrative model, and space carries more cultural significance. As far as film space narration is concerned, space becomes the main body of film narrative and becomes the center of text. Space and time construct film narration together, and space is no longer the supporting role of time. In spatial narration, it is necessary to clarify the concepts of narrative space and spatial narrative. Space narrative and narrative space are two different concepts. The narrative space refers to the choice of the film creator according to his subjective understanding of the story. After creation, with the help of a variety of media screening, presented in the film screen sound-painting space. Space narration includes two meanings: on the one hand, the creator selects and arranges the story space according to the need of the plot and forms the narrative space of a film by means of scene scheduling, scene alternative selection, editing and so on; On the other hand, space itself is closely related to narrative, and narrative space has its own narrative characteristics. The creation of narrative space also has an impact on the characters, plot and other elements in the story. In the narrative of Chinese western movies, the role of space is becoming more and more obvious. Especially in the new exploration of western movies, space plays a more and more important role in narration, for example, space becomes the clue of the story, and space promotes the development of the story plot. Space becomes a part of narrative structure, and different ways of spatial organization construct film narrative structure. The space narration of the western film also contains profound cultural connotation, which bears the memory of the times, records the development of the times, especially the development of the mass culture era, and also profoundly shows the life experience of the present people. To study the spatial narration of the western movies after 2000 is to explore the great changes of the western movies and to explore its cultural connotation from the space narration of the western movies.
【學位授予單位】：重慶工商大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905

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本文編號：2048331