本文選題：國際節(jié)展 + 中國電影��； 參考：《浙江大學》2013年博士論文

【摘要】：21世紀,文化“軟實力”日益開始取代政治、經(jīng)濟和軍事等“硬實力”成為國家和地區(qū)之間競爭的焦點�；趪摇败泴嵙Α睉�(zhàn)略的高度,電影已不僅僅是一個經(jīng)濟意義上的產(chǎn)業(yè),也不僅限于一種文化傳播的載體,而成了國家對外戰(zhàn)略的重要組成部分。電影通過具體影像所展示的故事、人物、社會風貌和傳達的價值觀念,樹立本國在其他國家民眾中的吸引力和向心力,進而對一個國家在各個方面的活動都產(chǎn)生深遠的影響。中國電影要成為國家文化“軟實力”戰(zhàn)略的重要載體,必須首先要具備在海外的影響力和吸引力,這也是本文研究的理論起點和價值所在。 本文的研究主要以地域上涵蓋兩岸三地的中國電影為對象,以歐洲三大國際電影節(jié)上獲獎的中國電影為切入點,采用內容分析、文本分析等方法,總結中國電影通過國際電影節(jié)平臺實現(xiàn)海外傳播這種方式的成功經(jīng)驗及失利的原因,并在此基礎上反思進一步拓展中國電影海外傳播的進路。 本文共分為六章。第一章緒論部分的論述主要包括兩個方面：一是從文化同源性的角度對兩岸三地的中國電影進行整合的可能性及其所蘊含的理論視角；二是國際電影節(jié)之于中國電影海外傳播及電影生態(tài)本身的意義。第二章和第三章主要是對中國電影獲獎概況的梳理,并通過與美國及其他亞非拉國家電影獲獎情況的比較分析,進一步理清中國電影在國際電影節(jié)視野中的地位與重要性。第四章的論述主要聚焦于獲獎中國電影在創(chuàng)作和制作層面的跨國(區(qū))性特征和表現(xiàn),及其對電影節(jié)獲獎所產(chǎn)生的影響以及這種影響的具體表現(xiàn)實施方式。第五章主要是從題材和人物角色形象的角度對獲獎影片進行分析,總結出獲獎影片在上述兩個方面的特征,并在此基礎上進一步探索國際電影在選片、評獎環(huán)節(jié)的偏好。第六章為本文的結論部分,主要是在上述分析的基礎上,具體從電影文化建構和傳播方式等方面思考提升中國電影海外傳播能力的對策。
[Abstract]:In the 21 ~ (st) century, "soft power" of culture begins to replace "hard power" such as politics, economy and military increasingly become the focus of competition between countries and regions. Based on the national "soft power" strategy, film is not only an economic industry, but also not limited to a carrier of cultural dissemination, and has become an important part of the country's foreign strategy. The stories, characters, social features and values conveyed by the film through the concrete images, set up the attraction and centripetal force among the people of other countries, and then have a profound influence on the activities of a country in all aspects. In order to become an important carrier of the strategy of "soft power" of national culture, Chinese film must first have the influence and attraction abroad, which is also the theoretical starting point and value of this paper. The research in this paper mainly focuses on the Chinese films that cover the two sides of the Taiwan Strait and the three places in the region, and takes the winning Chinese films at the three major European international film festivals as the starting point, using the methods of content analysis, text analysis, and so on. This paper sums up the successful experience and the reasons for the failure of the overseas dissemination of Chinese films through the International Film Festival platform, and on this basis reflects on the way to further expand the overseas dissemination of Chinese films. This paper is divided into six chapters. The first part of the introduction mainly includes two aspects: first, from the perspective of cultural homology, the possibility of the integration of the three places of the two sides of the Taiwan Strait Chinese film and its theoretical perspective; Second, the significance of the International Film Festival to the overseas dissemination of Chinese films and the film ecology itself. The second and third chapters are mainly about the general situation of Chinese film awards, and through comparative analysis with the United States and other Asian, African and Latin American countries, to further clarify the position and importance of Chinese films in the vision of international film festivals. The fourth chapter mainly focuses on the international (regional) characteristics and performance of the award-winning Chinese films at the level of creation and production, as well as its influence on the award of the film festival and the concrete performance of this influence. The fifth chapter analyzes the winning films from the perspective of theme and character image, summarizes the characteristics of the winning films in the above two aspects, and further explores the preferences of international films in the selection of films and awards. The sixth chapter is the conclusion of this paper, mainly based on the above analysis, from the specific aspects of the construction of film culture and dissemination of ways to improve the ability of Chinese films overseas dissemination countermeasures.
【學位授予單位】：浙江大學
【學位級別】：博士
【學位授予年份】：2013
【分類號】：G206;J992.7

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