本文選題：蕭紅 + 影視形象　； 參考：《信陽師范學(xué)院》2017年碩士論文

【摘要】：蕭紅以其獨(dú)特的文學(xué)語言、文學(xué)體裁和藝術(shù)特色成為了中國(guó)現(xiàn)代文壇上藝術(shù)個(gè)性很強(qiáng)的女作家,而其短暫坎坷的人生經(jīng)歷,也是文學(xué)史上經(jīng)常談?wù)摰脑掝}。關(guān)于蕭紅作品及其人生經(jīng)歷的研究和討論一直在持續(xù),并且在新時(shí)期出現(xiàn)了新的“蕭紅熱”現(xiàn)象。近年來,影視界對(duì)這位女作家也表現(xiàn)出很大的熱情,關(guān)于她的電影接連上映,蕭紅形象從文學(xué)界迅速走進(jìn)了大眾視野。這其中,電影的成就功不可沒。目前學(xué)術(shù)界對(duì)于蕭紅影視形象的研究多集中在女性意識(shí)的傳達(dá)、人物悲劇命運(yùn)的解讀、影視語言對(duì)人物形象的塑造、影視蕭紅文學(xué)屬性的探究以及當(dāng)下消費(fèi)文化在影視蕭紅形象上的投影,在影視形象的具體分析和兩種藝術(shù)形式下的形象比較方面尚存可供探索的空間�，F(xiàn)存含有蕭紅形象的影視作品中,以電影《魯迅》、《蕭紅》、《黃金時(shí)代》中的蕭紅形象最具代表性。在電影《魯迅》中,蕭紅的影視形象呈現(xiàn)為活潑率真、敏感好強(qiáng)的青年,這一形象主要服務(wù)于影片主要人物形象——魯迅的塑造,為了烘托出魯迅對(duì)于青年的關(guān)愛和日常生活化的一面,影片展現(xiàn)的只是蕭紅的生活片段和性格的某一方面,并不是一個(gè)完整的蕭紅。在電影《蕭紅》中,蕭紅的形象呈現(xiàn)為情路坎坷的女作家。影片將蕭紅與四位男性的感情糾葛作為主線,側(cè)重于表現(xiàn)“愛情”的主題,其間穿插蕭紅文學(xué)創(chuàng)作的畫面,以詩意唯美的鏡頭語言,敘述其跌宕起伏的感情與命運(yùn)悲劇,刻畫蕭紅的性格,展現(xiàn)蕭紅在不同境遇下的內(nèi)心世界。在電影《黃金時(shí)代》中,蕭紅的形象呈現(xiàn)為去悲劇化的民國(guó)知識(shí)分子形象。影片采用客觀化的敘事手段,同時(shí)突出了蕭紅作為民國(guó)知識(shí)分子代表身上所具有的精神自由、人格獨(dú)立、樂觀豁達(dá)等形象特質(zhì),沖淡了蕭紅人生經(jīng)歷的悲劇性。視聽符號(hào)與文字符號(hào)的媒介差異,導(dǎo)致了影視蕭紅與文學(xué)蕭紅在人物故事敘述方式上的差異,即文學(xué)中單純以時(shí)間線索組織情節(jié)的時(shí)間敘述,和影視中時(shí)間線索與空間鏡頭共同組織的時(shí)空敘述。這種敘述方式上的差異,使得閱讀方式產(chǎn)生了平面線性閱讀與立體空間閱讀的差異,從而引起了人物形象審美上直觀呈現(xiàn)與抽象想象的不同。在蕭紅形象的創(chuàng)作上,文學(xué)蕭紅是由具體作品的某一位作家描寫刻畫的,因此在形象的表現(xiàn)上帶有這位作家強(qiáng)烈的個(gè)人感情傾向;而影視蕭紅是由具體作品的創(chuàng)作群體集體勾勒塑造的,其中編劇、導(dǎo)演和演員對(duì)于影視蕭紅的呈現(xiàn)有決定性的作用。作為文化產(chǎn)物,影視與文學(xué)的內(nèi)容都在一定程度上反映了當(dāng)時(shí)的文化背景,影視是大眾文化傳播的重要載體,文學(xué)是精英文化傳播的重要載體。影視蕭紅和文學(xué)蕭紅各自表現(xiàn)出來的特征分別映射了大眾文化和精英文化在文化場(chǎng)域中的發(fā)展變化。本文以電影《魯迅》、《蕭紅》、《黃金時(shí)代》為藍(lán)本,結(jié)合影視的相關(guān)知識(shí)具體分析影視中蕭紅形象的塑造,探究蕭紅影視形象表現(xiàn)的方式和主題,用以將文學(xué)作品中的蕭紅形象與影視作品中的蕭紅形象進(jìn)行對(duì)比,從而探討不同的藝術(shù)形式對(duì)于蕭紅形象塑造的作用。
[Abstract]:Xiao Hong, with his unique literary language, literary genre and artistic features, has become a female writer with a strong artistic personality in the modern Chinese literary world. His short and rough life experience is also a topic often talked about in the history of literature. The study and discussion of Xiao Hong's works and his life experience have been continuing, and new times have appeared in the new period. In recent years, the film and television circles have shown great enthusiasm for this woman writer. As for her films, the image of Xiao Hong quickly enters the field of vision from the literary world. Among them, the achievements of the film can not be ignored. At present, the research on the image of Xiao Hong film and television is concentrated on the transmission of female consciousness and the tragic character of the characters. The interpretation of the fate of the drama, the molding of the characters of the film and television language, the exploration of the literary attributes of the film and television and the projection of the current consumption culture in the image of the Shaw red in the film and television, the specific analysis of the image of the film and television and the comparison of the images under the two forms of art are still available. In the film < Lu Xun > the image of Xiao Hong's film and television shows a lively, frank, sensitive and strong youth. This image mainly serves the image of the main characters of the film, Lu Xun, in order to show the love and daily life of Lu Xun to the young. The film shows only the life fragment of Xiao Hong and some aspect of his character, not a complete Shaw red. In the film "Xiao Hong", Xiao Hong's image presented as a bumpy female writer. The film takes the emotional entanglement of Xiao Hong and four men as the main line, focusing on the theme of "love love", during which he interspersed the paintings created by Xiao Hong literature. In a poetic and aesthetically beautiful lens language, it describes the ups and downs of feelings and tragedies, portrays Xiao Hong's character and shows the inner world of Xiao Hong under different circumstances. In the golden age of the film, Xiao Hong's image presents a tragic image of the intellectuals in the Republic of China. The film adopts an objective narrative method and highlights Xiao Hong at the same time. As the representative of the intellectuals in the Republic of China, the spiritual freedom, independence, optimism and immunity of the representatives of the Republic of China dilute the tragedy of Xiao Hong's life experience. The media difference between the audiovisual symbols and the characters of the characters leads to the difference in the narrative formula of the story between the film and the film red and the literary Xiao Hong, that is, the time clue group is only in the literature. The time narration of the plot and the time and space narration organized by the time clue and the space lens in the film and television. The difference in the narrative mode makes the reading way produces the difference between the plane linear reading and the three-dimensional space reading, thus causing the difference between the visual representation and the abstract imagination of the figure's image. The literary Xiao Hong is depicted by a writer of specific works, so the writer has a strong personal emotional tendency in the expression of the image, and the film and television Xiao Hong is collectively shaped by the creative groups of the specific works. The writers, directors and actors have a decisive role in the presentation of the shadow of Shaw red. The content of film and television and literature reflect the cultural background of the time to a certain extent. Film and television is an important carrier of the spread of mass culture. Literature is an important carrier of the spread of elite culture. The characteristics of the film and television Xiao Hong and the literature Xiao Hong reflect the development and change of the popular culture and the elite culture in the cultural field respectively. With the film < Lu Xun > < Xiao Hong > "golden age >" as the blueprint, combining with the related knowledge of film and television, this paper analyzes the shape of the image of Xiao Hong in the film and television, explores the ways and themes of the performance of Xiao Hong film and television, so as to compare the image of Xiao Hong in the literary works to the Xiao Hongxing images in the film and television works, so as to discuss the different artistic forms. The role of the image of Yu Xiaohong.
【學(xué)位授予單位】：信陽師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905

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