本文選題：李玉電影 + 主題訴求　； 參考：《湖南大學(xué)》2014年碩士論文

【摘要】：李玉作為一個年輕導(dǎo)演，雖然目前只有五部電影作品問世，但是在國外各大電影節(jié)的頻頻獲獎使得李玉在國內(nèi)備受關(guān)注。李玉的電影具有強烈的藝術(shù)風(fēng)格，從中不僅可以感受到先鋒的視聽審美，，同時也能感受到或暴烈或溫柔的思想撞擊與心靈撫慰。而目前關(guān)于李玉及其電影作品的相關(guān)研究較少，多著重于對李玉單部影片的分析。本論文試圖對李玉導(dǎo)演的電影作品進行系統(tǒng)性、整體性的分析與論述，聚焦其電影主題的表達及藝術(shù)表達方式的運用，以期來尋繹李玉電影作品的獨特標簽。這也是本論文研究的主要目的與意義所在。 本論文主要分五章論述李玉及其電影。首先簡要概述李玉成長經(jīng)歷及其電影創(chuàng)作主張，結(jié)合歷年相關(guān)研究論文，指出本論文的研究意義與創(chuàng)新點所在。進而對李玉電影的創(chuàng)作語境做一個考察。將李玉置于代際譜系與女性電影兩個坐標之中進行考察，揭示其在中國導(dǎo)演群中的意義和地位。第三、四章從內(nèi)容與形式兩個方面對李玉電影作品進行了具體分析。李玉電影的主題訴求主要集中于對女性議題的表達與建構(gòu)、人本主題內(nèi)核的堅守與文化與哲學(xué)立場上的人生探詢?nèi)齻�方面，形式方面則主要探討其所采用的表現(xiàn)手法，這涉及到對敘事視角、敘事手法、鏡頭語言、音樂風(fēng)格、象征性意象的考察。表現(xiàn)手法是對主題內(nèi)容的承接，也是最能展現(xiàn)李玉電影獨特美學(xué)的部分。最后，從創(chuàng)作缺失與創(chuàng)作貢獻兩個方面對李玉電影進行合理的評價。既分析了其在電影類型與商業(yè)探索上的成功，也從敘事邏輯、女性觀念兩方面指出其存在的不足。 作為一位非科班出身的導(dǎo)演，李玉能夠始終堅持通過鏡像表達現(xiàn)實關(guān)懷和理性思考，同時在藝術(shù)創(chuàng)新上也能保持探索積極性，是非常可貴的。因此，對李玉作品進行整體性研究，既可以加深對其電影的認識，也能為后續(xù)的探討提供一定的借鑒。
[Abstract]:Li Yu as a young director, although only five films are available, but in the foreign major film festivals, the frequent award of Li Yu in the domestic attention. Li Yu's film has a strong artistic style, from which not only can feel the avant-garde audiovisual aesthetic, but also can feel the violent or gentle thought impact and soul comfort. At present, there are few researches on Li Yu and his films, which focus on the analysis of Li Yu's single film. This paper attempts to systematically analyze and discuss the film works of Li Yu, focusing on the expression of his film theme and the application of artistic expression, in order to find out the unique label of Li Yu's film works. This is also the main purpose and significance of this paper. This thesis is divided into five chapters to discuss Li Yu and his films. First of all, it briefly summarizes Li Yu's growing up experience and his idea of film creation, and points out the significance and innovation of this thesis. And then to Li Yu film creation context to do an investigation. Li Yu is studied in the coordinates of intergenerational genealogy and female film to reveal its significance and position in Chinese directors. The third and fourth chapters analyze Li Yu's film works from two aspects: content and form. The theme of Li Yu's films mainly focuses on the expression and construction of women's issues, the adherence to the core of the human theme and the exploration of life from the standpoint of culture and philosophy, while the formal aspect mainly discusses the methods of expression adopted by Li Yu. This involves the investigation of narrative perspective, narrative technique, lens language, musical style and symbolic image. The expression technique is the undertaking to the theme content, is also can display the Li Yu movie unique esthetics most part. Finally, the author evaluates Li Yu's films from two aspects: creation deficiency and creative contribution. It not only analyzes its success in film type and commercial exploration, but also points out its shortcomings from two aspects: narrative logic and female concept. As a non-scientific director, it is very valuable that Li Yu can always express realistic concern and rational thinking through mirror image, and at the same time keep exploring enthusiasm in artistic innovation. Therefore, the overall study of Li Yu's works can not only deepen the understanding of his films, but also provide some reference for further discussion.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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相關(guān)期刊論文 前4條

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3 李仁平;;從《蘋果》看男權(quán)情境中的女性生存[J];新西部(下半月);2008年05期

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本文編號：2036435