紀(jì)錄片《馴養(yǎng)師》的創(chuàng)作分析
本文選題:紀(jì)錄片《馴養(yǎng)師》 + 視聽(tīng)設(shè)計(jì) ; 參考:《遼寧大學(xué)》2017年碩士論文
【摘要】:紀(jì)錄片的最大特點(diǎn)在于真實(shí),而真實(shí)需要長(zhǎng)期的紀(jì)實(shí)拍攝,用鏡頭表述,以此來(lái)向觀眾傳遞最真實(shí)的畫(huà)面。紀(jì)錄片不僅是對(duì)事件或人的真實(shí)紀(jì)錄,它還需要有藝術(shù)的處理,藝術(shù)來(lái)源于生活且高于生活,藝術(shù)的處理并不是掩蓋真實(shí),而是為了更好的向大眾呈現(xiàn),讓紀(jì)錄片具有多樣性的表現(xiàn)。追求真實(shí)的同時(shí),還具有藝術(shù)美感。紀(jì)錄片《馴養(yǎng)師》主要通過(guò)對(duì)馴養(yǎng)師戰(zhàn)磊的長(zhǎng)期拍攝,從個(gè)體見(jiàn)整體,來(lái)講述馴養(yǎng)師這個(gè)職業(yè)的悲與喜,讓人們看到馴養(yǎng)師背后的真實(shí)生活和故事,從而讓觀眾對(duì)馴養(yǎng)師這個(gè)職業(yè)有更深入、立體的理解,同時(shí)對(duì)社會(huì)一直比較關(guān)注的動(dòng)物表演問(wèn)題,有更宏觀全面的看法,引起更多的思考。紀(jì)錄片《馴養(yǎng)師》運(yùn)用直接電影和格里爾遜的電影模式,采用了航拍、水下拍攝、延時(shí)攝影等拍攝手法展現(xiàn)了被拍攝者的真實(shí)生活。配樂(lè)、解說(shuō)、剪輯節(jié)奏則構(gòu)成了整部紀(jì)錄片的藝術(shù)審美需要與價(jià)值。綜上所述,本文從視聽(tīng)設(shè)計(jì)、情感表達(dá)、剪輯方法、創(chuàng)新與不足五個(gè)角度來(lái)分析紀(jì)錄片《馴養(yǎng)師》。
[Abstract]:The biggest characteristic of documentary is truthfulness, which requires long-term documentary shooting and lens representation to convey the truest picture to the audience. Documentary is not only a true record of events or people, it also needs to have art processing, art comes from life and is higher than life, art processing is not to cover up the truth, but to better present to the public. To give documentary a variety of performance. The pursuit of reality at the same time, but also aesthetic sense of art. The documentary, "trainer," mainly through the long-term shooting of domesticated teacher Warrow, from the individual to the whole, to tell the travails and joys of the trainer profession, so that people can see the real life and story behind the trainer. Thus, the audience can have a deeper and more stereoscopic understanding of the profession of domestication, and at the same time have a more macroscopic and comprehensive view of the animal performance that the society has been paying more attention to, so as to arouse more thinking. The documentary "trainer" uses direct film and Grasson film mode, using aerial, underwater, delay photography and other techniques to show the real life of the subject. Music, explanation and editing rhythm constitute the artistic aesthetic need and value of the whole documentary. To sum up, this paper analyzes the documentary "trainer" from five angles: audiovisual design, emotional expression, editing method, innovation and deficiency.
【學(xué)位授予單位】:遼寧大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J952
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