本文選題：中國 + 動畫場景設(shè)計��； 參考：《陜西師范大學(xué)》2014年碩士論文

【摘要】：早在20世紀90年代,文化創(chuàng)意產(chǎn)業(yè)已經(jīng)在西方國家生根發(fā)芽,并很快成為為支柱性產(chǎn)業(yè)而為各國政府所注重。隨著視覺文化觀念的深入人心,以及數(shù)字信息技術(shù)時代的到來,影視動漫畫產(chǎn)業(yè)一躍成為文化創(chuàng)意產(chǎn)業(yè)中最有發(fā)展?jié)摿Φ男袠I(yè)之一。然而,在全球化時代背景之下,中國動畫藝術(shù)“民族化”很多時候只是作為一個綱領(lǐng)性的口號在宣講。首先要盡可能將中華民族固有的文化元素融入到影視動漫作品中,讓它更富有中國民族風(fēng)格,這是當(dāng)今國產(chǎn)影視動畫的一個主要發(fā)展動向。動畫場景設(shè)計是動畫制作中一個重要的組成部分,不同的設(shè)計會帶來不一樣的風(fēng)格與視覺感受,從而直接影響整部影片的效果。本研究對國產(chǎn)影視動畫場景涉及到的文化進行全方位的探索,并借鑒吸收歐美、日韓影視動漫場景設(shè)計的經(jīng)驗,以期概括出帶有一定實踐指導(dǎo)意義的場景設(shè)計規(guī)律,從而創(chuàng)造出價值觀念、審美觀念、風(fēng)俗習(xí)慣等各個方面都富有中國特色的優(yōu)秀動漫藝術(shù)作品。 動畫場景的設(shè)計通常是為動畫角色提供一個依托,要符合影片的總設(shè)計,就要展現(xiàn)故事發(fā)生的歷史背景、文化風(fēng)貌、地理環(huán)境以及時代特征。因而,了解場景之中涉及到的文化內(nèi)涵就顯得尤為重要。由文化內(nèi)涵串聯(lián)成相應(yīng)的民族風(fēng)情,這樣的設(shè)計就因包含了豐富的民族元素而大放異彩。 鑒于國內(nèi)影視動畫多著眼于動畫技術(shù)的研究開發(fā)與應(yīng)用,而對動畫場景設(shè)計的文化探究相對罕見,本研究著重從這一方面入手,即由影視場景設(shè)計開始,找出它所涉及到的文化領(lǐng)域、審美維度,再橫向延伸至角色創(chuàng)作、故事情節(jié)發(fā)展等各個要素當(dāng)中,期待著用中國的文化元素來開發(fā)出有中國印記的動漫影視作品。再縱向的比較,即美國、日本等國的影視作品比較中,揭示經(jīng)典影視動畫作品中所需要的文化設(shè)計理念,將它應(yīng)用到中國的影視動畫場景設(shè)計中來,通過與現(xiàn)代科技的接軌,創(chuàng)作出成為我們這個時代文化豐碑的真正的精品。
[Abstract]:As early as the 1990s, cultural and creative industries have taken root in western countries and become pillar industries. With the popularity of visual culture and the arrival of digital information technology era, film and television cartoon industry has become one of the most potential industries in the cultural and creative industries. However, under the background of globalization, the nationalization of Chinese animation art is often preached as a programmatic slogan. First of all, we should try our best to integrate the cultural elements of the Chinese nation into the film and television animation works to make it more Chinese national style, which is the main development trend of the domestic film and television animation. Animation scene design is an important part of animation production, different design will bring different styles and visual feelings, thus directly affect the effect of the entire film. This study explores the culture involved in domestic film and television animation scene, and draws lessons from the experience of European, American, Japanese and Korean movie animation scene design, in order to generalize the scene design law with certain practical significance. Thus creating values, aesthetic concepts, customs and other aspects are rich in Chinese characteristics of excellent animation art works. The design of animation scene is usually to provide a support for the character of animation. In order to accord with the overall design of the film, it is necessary to show the historical background, cultural style, geographical environment and the characteristics of the times of the story. Therefore, it is particularly important to understand the cultural connotations involved in the scene. Cultural connotations linked into the corresponding ethnic customs, such a design because of the rich elements of the nation and shine brilliantly. In view of the fact that domestic film and television animation is mostly focused on the research and application of animation technology, and the cultural exploration of animation scene design is relatively rare, this study focuses on this aspect, that is, starting from film and television scene design. Find out the cultural field, aesthetic dimension, and then extend to the role creation, storyline development and other elements, looking forward to using Chinese cultural elements to develop the animation film and television works with Chinese imprint. Then the vertical comparison, that is, in the comparison of film and television works in the United States, Japan and other countries, reveals the cultural design concept needed in the classic film and television animation works, and applies it to the design of Chinese film and television animation scene, through the connection with modern science and technology. To create a cultural monument of our time to become the real boutique.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

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本文編號：2026543